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[Video Games] The Rise and Fall and Rise Again and Fall Again of Lab Zero Games

The last drama post I did about Kuma Miko seemed to have gotten some praise, but some wished to see a Hobby Drama post that had consequences outside “people got angry over it”. So without any further delay, here’s a story about a studio that’s close to my heart, one that I’ve backed twice and seen die twice.
Note: This is a fairly lengthy drama, so forgive me if I’m not able to provide all of my sources. Most of the front half of this comes from this video, which chronicles the first half of Lab Zero entirely in Russian.
From Ahad to Mike Z
Let’s start in the beginning. Alex Ahad is a freelance illustrator who, in between other work, had created character designs for a prospective fighting game. Mike Zaimont is a professional fighting game player best known for games like BlazBlue and Marvel Vs. Capcom, but since 1999 had been coding a custom engine in his free time, which he hoped could be used for a fighting game. The two met in 2008, and the two quickly realized that with each other’s help, their dream could come true. In 2010, the two joined the newly developed game studio Reverge Labs. Joining their team was Mariel “Kinuko” Cartwright, a friend of Ahad’s and daughter of a Disney animator who helped animate games such as Scott Pilgrim vs. The World and Shantae; Peter Bartholow, who acted as CEO of Reverge as well as their PR arm; and an assortment of other animators and designers. Their goal: a fighting game in the style of Marvel vs. Capcom 2 with hand-drawn animation that they called Skullgirls.
After obtaining publishers in Autumn Games and Konami (at the time of development the Microsoft required indie devs to have a retail publisher in order to bring their games to Xbox Live Arcade), the team got to work on Skullgirls. Initial impressions were favorful - people liked Ahad’s unique character designs, the fluid animation, and the solid engine Mike Z built - but upon release, there were some concerns. The time and money needed to develop each character meant a starting roster of only eight characters, a far cry from other fighting games (the original MvC had 15 characters in 1998), and due to the team trying to get the game out, there was no in-game move list. Some were also concerned that the cast, consisting entirely of women, was too fanservice-filled, although Bartholow said that the characters were just attractive women who could fight as opposed to characters using their sexuality in battle (Ahad said that sex wasn’t his main focus, he just wanted to have monster girls fight each other). The team at Reverge Labs stressed that they would continue to update the game, with plans to add DLC if the game sold well enough. Good thing nothing could go wro-
Everything goes wrong
Alongside publishing Skullgirls, Autumn Games and Konami had previously published a karaoke game called Def Jam RapStar. Unfortunately, around March 2012, the time Skullgirls released, both parties were at the end of several lawsuits made against them - one argued that Autumn and Konami did not get the rights to some of the songs used in the game, while another claimed that the game was funded with a bank loan which Autumn Games was unable to pay back. The result of these costly lawsuits was that Autumn was unable to pay Reverge the money made from Skullgirls - this led to the entire Reverge team being laid off around July, and the future of the game in the air.
And so, the team decided on a whim to reconvene as a new development studio, Lab Zero Games. At a fundraiser for breast cancer research which included a fighting game tournament, Mike Z revealed the first DLC fighter and promised that new information about her and the team would be posted soon. This would turn out to be an Indiegogo fundraising campaign that asked for $150,000 to develop the first DLC fighter, with more characters promised if people backed enough.
In the end, $829,829 was raised in the campaign, enough to fund five DLC characters, a bevy of stages and voice packs, and other features. It was quickly becoming a cult classic.
The Skullgirls Curse
And so work on Skullgirls DLC was underway. However, a variety of events happened to befall Lab Zero during development, some causing controversy and others just annoying the team. Some dubbed this “The Skullgirls Curse”. So let’s go over some of them:
So as you can see, Skullgirls had a menagerie of problems and issues during its dev time. However, their Skullgirls curse seemed to have faded away, as they had a new game in store.
If I was Indivisible
Indivisible was a new project of Lab Zero, announced in 2015 as Skullgirls DLC production was nearing an end. Billed as a platformer RPG similar to games like Valkyrie Profile, it would tell the story of Ajna, a young girl whose town is stricken by tragedy and she finds out that she’s a portion of the god of creation, who has grown discontent with the world and wishes to remake it anew. Its Indiegogo campaign focused on Incarnations, party members who came from a variety of cultures, religions, and demographics not usually represented in popular culture. And as you can see by the fact that it got over two million dollars in funding, people were excited to see what Lab Zero could do. They even got enough funding to get Studio Trigger, of anime fame, to create the opening for the game.
Of course, it wouldn’t be Lab Zero without the occasional issue here and there. As shown above, some Incarnations were changed or scrapped during development, which irked some who backed because of that character specifically (not naming any names, but look in the incarnation list and see if you notice any). Backer characters were included again, and although there were more places to add them so they didn’t look out of place, you still had the occasional few that did. Critics liked the art and presentation of the game, but disliked some gameplay issues: the second half of the game became a cakewalk once you progressed far enough, it was a bit of a pain to go from one end of the map to another, especially for side quests, and a bunch of party members simply weren’t complete. Most egregiously of all, the Nintendo Switch version of the game was ported by a different company and released before Lab Zero was even aware of it - which forced them to scramble again to patch it up so it was on par with other consoles.
Still, it was a better situation they were in than when Skullgirls started. They had a legit publisher in 505 Games, people were satisfied with the base game, and Mike Z mentioned how the base game would continue to be refined with gameplay changes, small additions, and guest incarnations from other indie games. NBC even announced that Indivisible would be adapted into a television program for their Peacock streaming service. Things were looking up for Lab Zero.
Everything goes wrong... AGAIN
During the production of Indivisible, Alex Ahad was let go by Lab Zero. Not much is mentioned about it except that he was growing increasingly hostile, making it difficult to work with him, and his art was not meeting the standards for the game. He left, tried to sue Lab Zero, and eventually agreed to a sizable settlement. Mariel became the lead artistic director in his stead, and the art team had to be rearranged to compensate.
Now, as Lab Zero was preparing to transition from being employee-owned, Mike Z was made the temporary head of the studio. In June of 2020, Mike Z did an “I can’t breathe” joke during a Skullgirls livestream just days after George Floyd’s death - he later apologized for this, claiming he was trying to bring attention to the issue. Soon, more people provided proof that Mike Z has had a history of sexual harassment. Kinuko chimes in as well, noting that while she tolerated inappropriate behavior for years, when she talked to Mike Z about it, he blamed her for his actions. She talked with others in the team, who came to the conclusion that Zaimont had treated all of them like this. Some Lab Zero employees resigned on their own, while others pushed for Zaimont to resign. However, as Mike was still head of the studio, he dissolved the studio board and laid off the rest of the staff.
So where does that leave everyone?
There’s probably something I’ve missed in all of this, but yep. I backed them twice, both for Skullgirls and Indivisible. I don’t regret it, and I’m looking forward to whatever Future Club does, but I won’t lie - I’ll always miss what could have been.
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Galactic Economics 2: Trustworthy

RoyalRoad
First
Next
Jen and Sarah spent the next week doing research. The Internet was filled with contradictory information about monetary theory and economics, and neither of them really had the background to evaluate the arguments that everyone was having.
However, Sarah reminded them both, they didn't need to look at a perfect system, just one that worked. So, they started digging through Wikipedia articles and online textbooks on the history of money and how they came to be.
"Hey, did you know they used to use salt as currency?" Sarah asked as she skimmed through a particularly fascinating documentary about Middle Age East African economies.
"Is this some kind of joke about mining salt?"
"No, it's real, look. And apparently the word salary is from the Latin word salarium for money used to buy salt," Sarah continued fascinated.
Of course, they couldn't use something as simple as salt to represent money. In fact, they couldn't use any commodity either.
Over the last week, one of the alien traders caught wind that gold was extremely valuable on Earth, so they'd brought them in by the ton load. Gold was still useful for electronics and some dentistry, but the price of gold, mostly propped up by its value in rarity, crashed hard.
The problem with currency in galactic trading, as Sarah discovered, was that there wasn't a single commodity that was equally rare in every system.
No, whatever alternative they come up to the laughably outdated barter system had to be built on something far more rare and valuable than gold.
Something that even the most powerful human empires in history have struggled to collect.
It had to be built on trust.
"That's the system most modern currencies are based on," Sarah claimed, "you only accept dollars for work because you trust that you're going to be able to wake up tomorrow and spend it on… everything you need."
"Hmm well, we can't just ask them to take US dollars," Jen giggled. This would be so much easier if that weren't true.
"Why not?" Sarah asked, playing the devil's advocate.
"Well… well, like you said, they won't trust it! I certainly wouldn't if I were a trader! Furthermore, who knows? Maybe they have a printer in their ship that can duplicate money! Maybe we should ask them for that next time we bring Zarko some pears," Jen said, thinking out loud.
"I doubt it. The government keeps a lot of secrets about how they make Dollars , and I don't want the Secret Service knocking on my door," Sarah said. Until this week, she hadn't known that this was one of the lesser known duties of the USSS. Now that she knew it, it made the thought of attracting their attention even less palatable, "you're right. What about digital casino tokens? We can produce something that translates to Dollars and have our own system that tracks it all."
"Sure, that's not too hard to make. We would have a centralized money supply, where we don't trust each end point…" Jen continued on the brainstorm, thinking in terms of the technical system, "ok, so say we make SarahBucks, and peg its value to the US Dollar. One pound of pears would be worth 1.5 SarahBucks, one pound of sirloin steak is 6.99 SarahBucks at Safeway. That still doesn't explain how we'll get people to use it."
"I'm not sure. I need to think about this more," Sarah yawned, tired. "And I hate that name."
They agreed that they were stuck, and that SarahBucks was absolutely a terrible name.
Livermore Spaceport, Earth
A month after the spaceport opening, Sarah noticed that it had become less of a tourist attraction. There were far fewer people standing around gawking at the aliens, and a lot more companies trucking their best-selling products into the spaceport for trade.
After their abuse of Jen's cousin's employee pass got discovered by the spaceport authorities, Sarah and Jen had started placing their own bids on getting into the spaceport through the official channels. Thanks to their existing connections with the managers at the spaceport and a growing bank account of value, they could still get in to continue their lucrative trade for magical alien goods.
A bit of a rich-get-richer type of situation.
The flavor of the month were these Bohor magical air filter machines that aggressively scrubbed the air of… anything you want them to.
The Bohor planet is basically the planetary equivalent of a toxic dump.
Sure, it had biomes; it wasn't a Star Wars sci-fi planet where the entire planet is either a desert or an ice-cold tundra or a forest. But the entire planet had been polluted so heavily by its occupants that it lowered the life expectancy by half before the Bohors found a solution:
They simply filtered their entire atmosphere through air filter machines and then buried the toxins and garbage they got out of it in a very deep landfill, somewhere where very few people lived. Pretty much the kind of solution you'd expect out of a species that created the original problem in the first place.
Zikzik, the alien that was the same species as Zarko, overheard a human asking about their rocket fuel and climate change, and brought in a cargo hold of them.
It was a massive hit.
Earth's climate change problem wasn't nearly as bad as Bohor, but it was relatively simple to program these machines to suck carbon out of its atmosphere and… bury them in a landfill.
At first, few of the human traders bought them, thinking that it was going to be at least a while before the problem became big enough that big governments were going to come to them to try to address the issue, but they had it all wrong.
Soon as word got out this was an option, big companies and philanthropists started lining up at their doors. As it turned out, literally sucking the carbon dioxide out of the air was easier and cheaper than modifying many of their industrial practices to actually be environmentally green. They didn't need to run more efficient factories to claim to be carbon-neutral; just pump as much carbon into the air in exchange for undoing that by sucking it out of the atmosphere after!
Some bean counters at a think tank in DC predicted that a few more shipments of these air filters will fix Earth's climate problems by themselves in about a decade, so every trader had a waiting list of corporations with PR problems willing to buy them.
Sarah and Jen had a couple vehicle manufacturing companies on their list who were trying to get Bohor air filters to use in lobbying for looser emission standards for their dirty gasoline cars.
Today, there were traders on all the landing pads, and they were all carrying air filters. Zarko's ship was there, and he was loading fruits into his spaceship with an alien looking forklift. Sarah and Jen approached his ship and noticed the truck driver standing there.
"Hey Benny, tempting the poor aliens with cherries this time?" Sarah waved good, grinning and looking at his cargo.
Technically, Benny is a competitor, or at least he drives for a competitor. The massive fruit conglomeration he worked for, Chuckita, had not neglected to notice the massive business opportunity sitting right here as many others have, and are now delivering straight to the aliens in exchange for massive profit margins.
But Benny was a good guy. One time Jen and Sarah were having some trouble finding a buyer for a bunch of legally dubious alien psychedelics. Benny was in his late 50s, not that great with the Internet either, so he'd introduced them to whom he referred to as "my money launderer". Aka, his 22-year-old son, Benny Jr, who had a habit of buying weed and other less than legal items off the deep web. Benny Jr had found a buyer for them within minutes and even generously offered to handle the deal for them to spare them the risk of meeting some psycho hopped up on an alien high in a dark alley somewhere.
"Heh! One of the bat aliens loves sweets but has a low tolerance for sour, so they treat cherries as some kind of an odd challenge fad. They eat a random cherry, and it's either so incredibly sweet they start drooling out of the mouths, or it's a sour one, and they freak out," Benny replied, in a low voice as if he were trying to keep it a big secret. "Zarko showed me a video, and it's the most hilarious thing I've ever seen".
"I think I've seen that one, have you seen the one where they drink wine?" Sarah chuckled at the memory. Alien videos have been a big hit on YouTube. Some human merchants were trading fruit for aliens to take videos of the galaxy. Which they monetized, of course.
"No," Benny's ears perked up. Chuckita doesn't make wine, but if selling wine to aliens was going to be a thing, they were a big supplier of grapes… "Is it gonna be a thing?"
"Well guess what we brought today?" Jen also grinning from ear to ear, and holding up a big carton of low-quality box wine.
"Awww seems like I'm always one step behind you guys," Benny moaned in exaggeration, "I tried to get my money launderer to tell me what aliens would want but all he does is play video games on the Internet, kids these days."
Luckily, Zarko chose this moment to step out to spare them from more good-humored ribbing from the boomer. "Ah Sarah and Jen, you brought the grape wine this time!"
"Yup," Sarah beamed, "and I see you've run out of air filters to trade again!"
"Sadly yes," Zarko tilted his head in shame, "my ship is overdue for a cargo space upgrade, but I haven't found a port that would do it for fruit yet. Next time?"
"Alright! Alright! We'll leave our special wine with you, but you better get us some extra good filters next time!" Jen scolded mockingly. Zarko has gotten a lot more comfortable doling out IOUs since the first time.
"Of course. Only the best for you two," Zarko said with a greasy human smile imitation that almost made Sarah laugh out loud. It reminded her of a ridiculous cartoon sloth.
"By the way," Sarah asked casually, "how much is a spaceship worth on your planet?"
Zarko sobered up his expression and looked at her curiously. It was a question that other humans had asked before. To him, it was a good sign. This meant that they all dreamt of the stars. But he didn't expect such a question from someone as seemingly practical as Sarah. She had a lot of fruit, sure, but fruit doesn't build spaceships.
After thinking for a while, he replied honestly, "ships aren't traded for one single item. My family traded for the parts to build mine for generations."
He pointed at his spaceship.
Zarko proudly explained, "this is the work of eighteen generations of trading. My family was one of the richest on Zeep-zep. For thirteen generations, they traded for each of the parts on this beauty. Then, for the last five, my ancestors traded excess food from the tenant farmers on their land to expert craftsbeings that could put it together."
"Wait, eighteen generations?" Jen gasped. Eighteen generations ago, her family were probably peasants on a farm in Korea or something…
"Yes," Zarko said, looking at them with a little of pity. "After getting the spaceship, my family has traded in it for twelve generations, through civil wars and disasters."
He did some math on his hands, and said, "that's about four hundred of your years. That's why it's very unlikely that you will never go to space."
Looking at the stunned expression on their faces, he tried to lighten the mood. Zarko said mischievously, "unless you're willing to part with some more of your fruit, in which case I'll let you sit in the back seat for a whole route!"
"Hold on, back up, I'm still stuck on the multiple generations part," Sarah said seriously. "You're saying you're flying on a spaceship that started to be built thirty generations ago? That's… about a millennia for us."
"Yes," Zarko answered, "and that's why only thirteen families on my planet have had the privilege of owning one in our long history. No offense, but that's why I think no human will ever own their own spacecraft for at least fifteen more generations."
Something is wrong here, Sarah thought. The budget for NASA's FTL spacecraft was in the hundreds of millions. Yes, for a fruit farmer, that would be many generations of work if all their descendants worked in the same industry. But there were over three thousand billionaires on Earth, not including the tens of thousands of corporations that had assets or market value over a billion. And the prices for the spacecraft would surely go down as time went on…
For a planet like Zarko's to only have thirteen spaceships over generations of their development…
As they were walking away, Benny asked, "have you guys noticed something weird about the way these aliens do business?"
"Yes." "God yes." They said in unison.
"We've been thinking about it for a while, but these guys not having money is a major problemo," Sarah said, looking around surreptitiously, "Zarko and Zikzik keep talking about not being able to find someone who can upgrade their hulls for fruit. And sometimes they come with nothing good, and we're supposed to just drive our fruits all the way back!"
"And if you think about it, if they were human ships, think about truckers who don't own their trucks. We'd have loans or something to deal with the cargo space problems, and they'd be paid for by profits in a few trips," Jen added.
"The numbers he gave us for spacecraft ownership seem insane," Sarah agreed. "Your company could probably afford to order one right now, not to mention hundreds of others. They must all be dirt poor!"
Benny seemed relieved that he wasn't the only one who was thinking this, "exactly! I'm thinking we just introduce them to the concept of Benjamins and solve all their problems and ours. Would certainly make the return trip a lot easier for me if I didn't have to drive all the way to Berkeley for junior to launder all this crap!"
"We thought of that too," Sarah said as Benny pretended to groan again, "but we couldn't figure out how to get them to take money with no intrinsic value."
"Oh that shouldn't be too hard," Benny said, who's clearly already thought through this problem in his head, "we play a little game called good cop, bad cop."
"Good cop bad cop?"
"Sure, it's a mind game the cops play, where they put you in a room-"
"Yeah we know what it is, but how does that help us?" Sarah said impatiently, an idea tugging on her subconscious.
"Well you see," Benny clearly smugly enjoying this moment where he's thought of something that the duo did not, "you two come with an empty truck next time, and you tell Zarko that you'll give him a wad of clean crisp cash, fresh from the bank, for some of his air filters. And when he asks you why he'd take the cash, you just tell him that he can give it to me in exchange for some of my fruits."
"What does that have anything to do with good cop bad cop?!" Jen asked.
"That has nothing to do with good cop bad cop," Sarah chimed in, but the idea was beginning to form in her head, "but it's a good start. We don't want to deal in cash. It's too risky. It could get the feds onto us and there's a bunch of laws around it that I'm not sure about."
"But what we can do is have an internal money system for traders pegged to the US Dollar!" Jen completed.
"Yup, so when Zarko comes back next time, we tell him he has an account with the Bank of Benny, we give him a fancy looking card that has his bank account number and give him a pin code, and we deposit a certain amount of BennyBucks into his account for giving us air filters. Then when you come around, Zarko gives you his card and pin, and gives you BennyBucks for your fruit," Sarah finished.
"Aha. And then I come to you two, say, I would like to convert BennyBucks in my Bank of Benny account to good old American dollars," Benny extrapolated, completing that final step.
"Yeah! We'll just wire you the money and everyone gets theirs," Sarah exclaimed, happy they've finally thought through the loop and gotten someone on board.
"BennyBucks is a terrible name though," Jen said, calming everyone down a little, "and why are we getting so excited over the basic concept of currency? And why haven't aliens figured this out? Maybe it's against some kind of space trading code."
"Who knows? Maybe we just try it on Zarko and see if it works out," Benny said, a glint in his eyes, "and then we expand, galaxy-tically."
"Galactic credits!" Sarah exclaimed, "that's what we'll call it."
They agreed that it was the least worst name that they'd come up with so far. It was boring, but when it came to finances, maybe boring and cliché was a good choice after all.
"Explain again. I am trying to understand," Zarko said two days later as he offloads the air filters he'd promised.
"C'mon dude, for the fifth time," Sarah exasperated, "it's not that hard. We give you a bank account card and have you set up a secret number…"
Jen had spent the last two days coding up a storm. Technically, a simple debit system wasn't that hard, but she had to make a website interface that Benny could go up to and enter his account, Zarko's card information and amount, then let Zarko type in his code…etc. She'd mused that it would have been easier to just do this all in a cloud-based spreadsheet, but that wouldn't scale up if they had more customers.
Sarah had the account cards laminated and designed a logo: the letters GC, for Galactic Credit, and a stylized version of a Milky Way in the background. Part of the value in a trustworthy system is to look official, and you can't get much more official than laminated cards.
"Yes, I understand that part," Zarko said, clearly displaying his frustration on his facial expression as well, "but I don't understand why Benny would give me his fruit for just entering a number."
"Because we have an agreement with him that he'll take it in exchange for fruit!" Sarah was sure this was the umpteenth time she had to explain this, but clearly Zarko was not getting it.
"Is it similar to a debt?" Zarko said suspiciously, as if debt was this dark magic that the humans were performing on him, "I have never heard of this kind of debt before."
"Yes, it's a debt, of sorts," Jen cut in. The last time he had asked this exact question, they'd said no, and that led to fifty other questions and explanations that went nowhere, so nothing could go worse if they said yes-
"Ok. I don't understand," Zarko did his sloth version of a sigh, it was cute, but at the same time frustrating for Sarah and Jen, "But I can try it. I know you two are not trying to trick me. Do I get my fruits before I take off?"
"Yes! You go to Benny-" Sarah started.
"Yes! And that's it. Benny gives you his fruit," Jen cut her off, knowing that this was about to launch into yet another long, long line of questions they just can't deal with right now.
Sarah set up a new account for Zarko, asked him for a 6 digit base ten pin code (thank god Zarko was a ten digit species) which he promptly memorized, and hoping that Jen's prototype website wouldn't fail, showed him how they were "giving" Zarko 40,000 Galactic Credits for 8 Bohor air filter machines into his account ("No, you can't have my iPad. It's on your account card now. Show this to Benny later.")
"Well that worked out great," Benny said as he watched them wire him the $25,000 for his truck shipment of fruit. Though his costs were in the low thousands, he could have easily fleeced Zarko for his full 40k. But they all agreed that wasn't the point, which was to get Zarko to see the benefits of using a currency system abstracted from goods and services.
"Dude, you weren't there," Sarah complained, "I don't understand why he had such a hard time understanding money. Money equals goods. Bing bang boom. It's like these guys don't have the capability for abstract thinking."
"No they definitely do. You can't build spaceships without abstract math and science," Jen said, "but he clearly had a deathly aversion to using money. I think it's tied to some taboo to debt somehow. All the other species must have it because none of the aliens we've met have even mentioned anything close to a real economy."
"Whatever it is," Benny sighed happily, "I'm just happy I didn't have to go home with my truck full of weird alien toys."
"Yup. The next step is to get all the human traders to take credits. At least they'll have no problems understanding the benefits."
Sarah made some calls to the trader licensing office at the spaceport. There she found a manager willing to part with phone numbers and contact information for the other human traders, for an "information fee" of course, and started making calls to the other human traders.
It wasn't easy. Some traders were representatives of bigger food companies, and didn't have all the flexibility to make these kinds of decisions. And others no doubt were thinking of copying their system for their own profit. But they all saw the benefits of a unified network of currency debiting because they've been suffering the same problems that Sarah, Jen, and Benny had been.
Over the next few days, all the human traders agreed to take galactic credit from the aliens, which they knew they could exchange for cash with Sarah and Jen.
"We are officially in business."
In economics, there's a distinction made between different kinds of money. There's commodity money, usually gold or silver. There's representative money, which is currency backed by commodities like gold or silver. And then there's fiat money, which is not backed by any intrinsic value, but rather by government decree, hence fiat.
Galactic Credits fall into some kind of weird hybrid category between representative and fiat money. They're backed by the Dollar, which is fiat money, but also which makes them representative money. This means that the people issuing them, in this case Jen and Sarah, are not supposed to create them without also having a corresponding US Dollar in their bank account.
Of course, Sarah and Jen hadn't signed an ironclad contract with the other human traders that they're always guaranteed to take their galactic credits and exchange for money, so technically that meant that one day Sarah could simply "deposit" a large number of credits in her account and buy all the goods she wanted from Zarko, or potentially the other traders.
That would, however, be slaughtering the golden goose for the meat.
After all, they didn't want to sell fruit or Bohor air filters.
They wanted to sell the concept of money.
"Why would I take this over fruit?" Zikzik sniffed. He was known as a sharp one by all the human traders. If there's any new alien fad coming down the pipeline, chances are Zikzik is the first one to touchdown with a cargo hold full of it.
Unlike many of the other traders, he was fairly consistent in his dealings. This much fruit is for this much air filters. He knows his price, and he lets you know it too. Everyone suspected he kept careful records of all his selling and buying somewhere in his ship, but he's never brought them out. Maybe he just had a sharp memory.
"It's very consistent," Sarah insisted, trying to appeal to his affinity for a stable and predictable exchange, "one pound of fruit today is the same as one pound of fruit tomorrow, and you can deal in fractions."
Completely ignoring that most fruits are seasonal, and price changes, and inflation, she thought, let's start here.
"Fractions, you say?" Zikzik seemed thoughtful, or maybe he's just scratching an itch on his snout, Sarah could never tell with these aliens.
"Yes, fractions," said Jen detecting the slightest bit of opening, "you can trade your air filters for credit. Then you can trade maybe three quarters of your credits to fill your cargo with fruit. The next time you come down here to Earth, you would only need to bring half the amount of air filters as the first trip, combined with the credits you have left, you can leave with a full cargo load anyway!"
Is that how that math goes, Sarah thought, but didn't cut in, as Zikzik seems to be nodding, an oddly universal gesture for affirmation.
"Five eighths of the credits," Zikzik argued, "The air filters are harder to get now because the Bohor are running low, and they need time to make more."
Bargaining! There we go! That's what we're talking about! Sarah almost pumped her fists in the air and gave him a high five, not a great idea given how sharp his claws are as she found out when trying to shake his hands a couple of weeks ago.
"Ok, you would still have to negotiate that amount with each human trader," Sarah replied adding, "but they all deal in Galactic Credits."
They signed him up for an account, gave him a card, and set up his pin code. It had only taken half an hour to get Zikzik on board, which was significantly faster than the hours they'd taken to explain this to Zarko, despite them being the same species. Was it xenocist that she'd assume it was going to take just as long, Sarah wondered.
Looking at the line of traders, she sighed. This was going to be a long day.
Luckily, Zikzik accepting the credits made for great advertising. He was known for being a sharp trader, so if he doesn't think it's a scam, it must not be, right?
Sarah and Jen managed to get two other traders that day onto credits, and one more who was dipping his proverbial toes into the water.
It was a good day.
Jen had been working hard. The Galactic Credits website was now on its 16th major iteration. She'd beefed up the security on it, to make sure none of the other human traders got any funny ideas. Backups became more automatic and frequent, and there was now a rollback and dispute mechanism, not that it was being used yet.
Sarah had also been working hard. She'd been sitting in meetings all day with legal, finances, and now they had a small army of people who were ready to help out if they got into trouble there. Galactic Credits is now officially a tax paying LLC incorporated in the great state of Delaware.
Benny Jr, who had just finished college, had come in as well. He was no good at talking to clients, but he's what the duo would refer to as "street smart". Occasionally, the alien traders would bring in some exotic or ahem, dubiously sourced items, and he would know exactly where to convert that into cold hard cash. On the spreadsheets, his dealings were adding up to a nice fat padding on the margins for Galactic Credits, which to this point, hasn't been making any money other than in the fruit and air filters exchange business.
They were now working out of a rented office in downtown Livermore, with a very nice view of a brick-lined pub that offers numerous craft beers and the old railroad that runs through the heart of town.
Ironically, there's a Bank of America branch across the street, not far from the office itself, the company that had invented the BankAmericard and started the credit card revolution, seemingly oblivious to this new competitor moving into town, literally and figuratively.
They had many brilliant finance experts who were working on something, surely, but established financial institutions are not always great at moving fast and adapting to changing technology. There were many regulations to worry about, and the stakes were a lot higher.
There's something very quaint about the town itself. Some people didn't consider it part of the Bay Area metro area itself, but with the latest BART expansion station they recently built, that's been less and less true.
Now, it was literally the town where the train tracks ended. And where the final frontier began.
For the people in the office, it's also where they dreamt about a new financial revolution in the galaxy.
Some people have critiqued this chapter on the grounds that established financial institutions would have thought of this idea on day one. I appreciate the feedback, but that is a rosy view of the velocity at corporations in my opinion. I've personally worked in some of these companies, and if someone brought up this idea, it would probably have taken at least a month to get the idea through various risk audits and legal reviews.
In terms of technology, much of banking still operates on software that predates the modern Internet. This is one of the reasons why fin-tech startups have been able to beat them on time-to-market, despite massive institutional or financial disadvantages. It's why companies like PayPal, Square, Stripe, Venmo… etc could compete with the incumbents with the development of the Internet.
Sure, an intern in engineering or tools would have a semi-working prototype by week three, but the first line of code would be pushed to production by… month three. A much more likely scenario: some startup beats them to the punch, exactly as it happens here, and the large company offers their founders or investors an obscene amount of money to buy them out.
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THE 33 (MA)
THE INTERVIEW (2014) (MA)
THOR #1 (SPLIT) MA/ITUNES 4K $8 OR GP $5)
THOR RAGNAROK (SPLIT) MA HD OR ITUNES 4K $7 OR GP $4
THREE BILLBOARDS OUTSIDE OF E.M (MA)
TOTAL RECALL 4K (1990) (VUDU OR ITUNES) $7
TOY STORY 4 (SPLIT) MA/ITUNES 4K $8 OR MA HD $6 OR GP HD $5
TRANSCENDENCE (VD)
TRANSFORMERS (#5) (SPLIT) (ITUNES 4K)
TROLLS (MA)
TROLLS 1 & 2 (MA) $12
TROLLS WORLD TOUR (MA) $8
TRUE DETECTIVE S3 (SPLIT) (VUDU $5 OR ITUNES $4)
TURNING-THE (MA) $8
TYLER'S PERRY'S A MEADA CHRISTMAS (VUDU)
TYLER PERRY'S MADEA'S WITNESS PROTECTION (VUDU)
TYLER PERRY'S TEMPTATION: CONFESSION OF A MARRIAGE COUNSELOR (VUDU)
UNBROKEN (2014) (SPLIT) (VUDU OR ITUNES)
UNBROKEN: PATH TO REDEEMTION (MA) $5
UNCUT GEMS (VUDU OR ITUNES) $5
UNCUT GEMS (VUDU) $8
UNDERWATER (MA) $8
UNFRIENDED:DARK WEB (MA) $8
UNHINGED (VD) $7
UPSIDE-THE (ITUNES)
US (MA)
VANISHED-THE (VUDU OR ITUNES) $6
VICE (MA)
WALL-E: (GP $6)
WAR DOGS (2016) (MA)
WAR FOR THE PLANET OF THE APES(SPLIT) VUDU OR ITUNES 4K)
WATCHMEN S1 (VUDU) $10
WAY BACK-THE (MA) $7
WHAT MEN WANT (SPLIT) VUDU $4 OR ITUNES $3)
WHY HIM (SPLIT) VUDU OR ITUNES 4K)
WIDOWS (MA) ($4)
WOLF OF SNOW HOLLOW (VD) SD $7
WONDER PARK (SPLIT) (VUDU OR ITUNES)
WONDER WOMAN (MA)
WORLD WAR Z (SPLIT) (VUDU OR ITUNES)
XXX R. O Xander CAGE (VUDU OR ITUNES 4K)
YOUNG MESSIAH-THE (MA)
PAYMENTS ACCEPTED
+PAYPAL FRIENDS & FAMILY +CASH APP +VENMO +GOOGLE PAY +APPLE PAY
SECONDARY LIST BELOW
https://docs.google.com/document/d/1cZ9CqHTNJ14wo7H80BkSi4nTZHOf-4eBxnCtJjYAk48/edit?usp=drivesdk
submitted by mekababy to DigitalCodeSELL [link] [comments]

(SELLING) FREAKY + GREENLAND 4K + LOVE WEDDINGS & OTHER DISASTERS + BREACH + JU JITSU + TENET 4K + ECHO BOOMERS + WOLF OF SNOW HOLLOW + IRON MASK + NEW MUTANTS + UNHINGED + ANTEBELLUM 4K + MULAN ++ MANY MORE. ALSO CHECK OUT MY SECONDARY LIST. LINK AT BOTTOM OF MY PRIMARY LIST. THANKS FOR LOOKING ;-)

All codes are HD unless listed otherwise.
All codes are $4 Each unless price listed.
10 MINUTES GONE (VUDU OR ITUNES 4K)
101 DALMATIANS (GP) $6
12 STRONG (MA)
13 HOURS: THE SECRET SOLDIERS OF BENGHAZI VUDU HD $4
1917 (MA) $6
21 BRIDGES (ITUNES 4K) $6
3 FROM HELL (VUDU OR ITUNES)
300 RISE OF AN EMPIRE (MA)
3022 (SPLIT) (VUDU $6 OR ITUNES $4)
ACTION POINT (SPLIT) ITUNES $3
ADAM'S FAMILY (ITUNES 4K) $8
ADRIFT (ITUNES)
ADVENTURES OF TIN TIN-THE (SPLIT) (VUDU OR ITUNES)
ALADDIN 2019 (MA 4K $8)
ALIEN (1979) MA 4K ($5)
ALIEN COVENANT (VUDU OR ITUNES 4K PORTS)
ALMOST CHRISTMAS (SPLIT) VUDU OR ITUNES)
AMERICAN MADE (MA) $5
AMERICAN REUNION (UNDATED) (2012) (SPLIT) VUDU OR ITUNES
AMERICAN SNIPER (MA) $5
A MILLION WAYS TO DIE IN THE WEST (UNRATED) (VUDU OR ITUNES)
ANGEL HAS FALLEN 4K (VUDU OR ITUNES) $8
ANNIE (2014) (MA) (SD)
ANNIHILATION (SPLIT) VUDU OR ITUNES 4K)
ANTEBELLUM 4K (VUDU OR ITUNES) $10
APPARITION-THE (MA) 2012
AQUAMAN (MA) $5
AGRO (MA/VUDU)
ARRIVAL (SPLIT) VUDU OR ITUNES 4K
ART OF RACING IN THE RAIN-THE (MA) $7
ATOMIC BLONDE (SPLIT) VUDU 4K $6 OR VUDU HD $4 OR ITUNES 4K $4)
AVENGERS ENDGAME (SPLIT) MA(HD)/ITUNES 4K $7 OR (GP $5)
AVENGERS I.W (SPLIT) (MA $6 OR GP $5)
ARKANSAS (VUDU OR ITUNES) $5
BACK TO THE FUTURE 3-MOVIE (MA/HD) 10.25
BACK TO THE FUTURE 3-MOVIE (MA/4K) $15
BACKDRAFT 2 (MA)
BAD MOMS CHRISTMAS-A (ITUNES)
BAD TIMES AT THE EL ROYAL (MA) $5
BALLERS S2 (SPLIT) (ITUNES)
BALLERS S3 (SPLIT) (VUDU OR ITUNES)
BARBER SHOP THE NEXT CUT (VUDU)
BATMAN HUSH (MA) $5
BATMAN: SOUL OF THE DRAGON (MA) $8
BATMAN V. SUPERMAN: DAWN OF JUSTICE (MA)
BAYWATCH (SPLIT) (VUDU 4K $5 OR VD HD $4 OR ITUNES 4K $4)
BEAUTY & THE BEAST (LIVE) (SPLIT) MA $4 OR GP $2
BEGUILED (MA)
BEST OF ENEMIES-THE (ITUNES)
BIG WEDDING-THE (VUDU)
BILL & TED FACE THE MUSIC (VD $$6.50)
BIRDS OF PREY (MA) 4K $9 OR HD $7
BLACK CHRISTMAS (MA) $7
BLACK PANTHER (SPLIT) (MA(HD)/🍏4K $7 OR GP $6)
BLINDED BY THE LIGHT (SD) (MA) $2
BLOODSHOT (MA) $8
BODY CAM (VUDU OR ITUNES 4K) $7
BOOK CLUB (ITUNES 4K) $2
BOSS BABY-THE (MA)
BOY 2-THE (ITUNES 4K) $6.50
BOYHOOD (VUDU OR ITUNES)
BRAVE (SPLIT) (MA $7 OR GP $6)
BREACH (VD OR ITUNES) $9
BREAKING IN (MA)
BREAKTHROUGH (MA) $6
BREACH (VUDU OR ITUNES) $10
BRIDESMAIDS (VUDU OR ITUNES)
BUDDY GAMES (VUDU OR ITUNES) $8
BUGS LIFE-A (SPLIT) (MA $7 OR GP $6)
BUMBLEBEE (SPLIT) (VUDU 4K $6 OR VUDU $4 OR ITUNES 4K) $2
BUTTONS A CHRISTMAS TALE (SPLIT) VUDU OR ITUNES
BYE BYE MAN (UNRATED) (SPLIT) (ITUNES)
CALL OF THE WILD (SPLIT) (MA) 4K $9, HD $6 OR GP $3)
CAPTAIN MARVEL (GP $5)
CAPTAIN UNDERPANTS FIRST EPIC MOVIE (MA)
CARS 3 (NP) (MA(HD)/ITUNES 4K$6 OR GP $5)
CATS & DOGS 3 :PAWS UNITE (MA) $8
CASINO 4K 1995 (MA) $8
CHRISTOPHER ROBIN (2018) SPLIT (MA $7) OR GP $5
COMING TO AMERICA 4K (ITUNES) $7
CONJURING-THE (MA)
CORRUPTED-THE (VUDU $5 OR ITUNES) $4
COUNTDOWN (ITUNES 4K) $5
COURT JESTER (1956) (SPLIT) (VUDU OR ITUNES) $5
CRAFT-THE: LEGACY (MA) $8
CRAWL (SPLIT) (VUDU OR ITUNES 4K) $6
CREED 2 (VD) $5
CULT OF CHUCKY(UNRATED) (SPLIT) (ITUNES)
CURE FOR WELLNESS-A (SPLIT) VUDU OR ITUNES)
DADDY'S HOME 2 (SPLIT) VUDU 4K $6 OR VUDU HD $4 OR ITUNES 4K $3)
DALLAS BUYERS CLUB (VUDU OR ITUNES)
DARK KNIGHT RISES-THE (MA)
DEADWOOD THE MOVIE (VD) $5
DEATH WISH (VUDU)
DEEP WATER HORIZON (4K) (VUDU OR ITUNES) $6.50
DEN OF THIEVES (ITUNES)
DESPICABLE ME 3 (SPLIT) (VUDU OR ITUNES 4K)
DIVERGENT (2014) (VUDU)
DIVERGENT: ALLEGIANT SERIES (2016) (VUDU) $8
DIVERGENT: INSURGENT SERIES (2015) (VUDU) $8
DOCTOR SLEEP + DIRECTOR'S CUT (MA) $8
DOLPHIN TALE 2 (MA)
DOLITTLE (MA) $7
DOOM ANNIHILATION (MA) $5
DOORMAN-THE (VUDU OR ITUNES 4K) $7
DORA & THE LOST CITY OF GOLD (VUDU OR ITUNES 4K)
DO THE RIGHT THING 4K (MA) $6
DOWNSIZING (SPLIT) VUDU OR ITUNES 4K)
DUNKIRK (MA)
ECHO BOOMERS (VUDU OR ITUNES) $7
ESCAPE PLAN (2013) VUDU
EXPENDABLES 2 (2012) (VUDU OR ITUNES 4K)
FAHRENHEIT 451 (SPLIT) (ITUNES)
FANTASTIC BEAST & WHERE TO FIND THEM 4K (MA) (2016) $7
FAST & THE FURIOUS #1- (SPLIT) VUDU/MA)
FAST & THE FURIOUS #2- (SPLIT) (VUDU/MA)
FAST & THE FURIOUS #3- (SPLIT) (VUDU/MA)
FAST & THE FURIOUS #4- (SPLIT) ( VUDU/MA)
FAST & THE FURIOUS #5 - EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES HD)
FAST & THE FURIOUS #6 - EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K)
FAST & THE FURIOUS #7 EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K)
FAST & THE FURIOUS #8 - FATE OF THE FURIOUS EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K
FAULT IN OUR STARS-THE (VD OR ITUNES 4K)
FIFTY SHADES DARKER UNRATED (SPLIT) (VUDU OR ITUNES 4K )
FIFTY SHADES OF GREY (SPLIT) (VUDU OR ITUNES 4K)
FINDING DORY (SPLIT) (MA(HD) OR ITUNES 4K $6) NP OR (GP $4)
FIRST MAN (MA) $6
FOCUS (2015) (MA)
FORCE OF NATURE (VUDU OR ITUNES 4K) $6
FOUR KIDS & IT (VD) $6
FOX & THE HOUND 2 (SPLIT) (GP$6)
FREAKY (MA) $12
FROZEN (SPLIT) (MA 4K $7 OR GP $5)
GAME OF THRONES S8 (SPLIT) (VUDU OR ITUNES) $8
GAURDIANS OF THE GALAXY VOL. 2 (SPLIT)
GEMINI MAN (VUDU 4K $8 OR HD $6 OR ITUNES 4K $4)
GENTLEMAN1-THE (ITUNES 4K) $8
GET HARD (MA)
GET OUT (SPLIT) (ITUNES 4K)
GHOSTBUSTERS 2 1989 (MA) $5
GHOST IN THE SHELL 2017 (SPLIT) VUDU OR ITUNES 4K)
GIFTED (2017) (MA/VD OR ITUNES) $5
GIRL ON THE TRAIN (SPLIT) VUDU OR ITUNES 4K)
GIRLS TRIP (SPLIT) (VUDU) OR (ITUNES)
GLASS (MA) $5
GOING IN STYLE (MA)
GOLD (SPLIT) (ITUNES)
GOLDFINCH-THE (MA) (SD) $2
GOOD DINOSAUR-THE (GP $5)
GOOD LIAR-THE SD MA
GOONIES-THE 4K (MA) $7
GREAT WALL-THE (SPLIT) VUDU OR ITUNES 4K)
GREENLAND ITUNES 4K ($13)
GRETEL & HANSEL (VUDU) HD $8
GREY-THE (VUDU OR ITUNES)
GRINCH (2018) (MA) $6
GRINGO (AMAZON PRIME) $2
GROWN UPS 2 (MA)
GUNMAN-THE (SPLIT) (VUDU OR ITUNES)
HACKSAW RIDGE 4K (VUDU OR ITUNES) $7
HALLOWEEN (2018) (MA)
HANGOVER 2 (MA)
HAPPYTIME MURDERS (ITUNES)
HARRIET (MA) $9
HARRY POTTER & THE DEATHLY HALLOWS PT 2 (#7) (MA)
HEAT-THE (2013) (SPLIT) (VUDU OR ITUNES)
HEAVEN IS FOR REAL (MA HD $4 OR SD $2)
HIDDEN FIGURES (VUDU OR ITUNES 4K)
HIGH NOTE (MA) $8
HOBBIT-THE : AN UNEXPECTED JOURNEY (MA) $5
HOCUS POCUS (GP) $3
HOLMES & WATSON (MA) $5
HOME ALONE 2 (MA)
HONEST THIEF (MA) $9
HOSTILES (VUDU OR ITUNES) $5
HOT TUB TIME MACHINE (MA)
HOUSE-THE (MA)
HOW THE GRINCH STOLE X-MAS 2000 (MA 4K) $7
HOW TO TRAIN YOUR DRAGON 1 (ITUNES )
HOW TO TRAIN YOUR DRAGON 1-3 (MA) $14
HOW TO TRAIN YOUR DRAGON 2 (MA)
HOW TO TRAIN YOUR DRAGON 3 (MA) $6
HUNGER GAMES (2012) (SPLIT) (VUDU OR ITUNES)
HUNGER GAMES: CATCHING FIRE (2013) (VUDU)
HUNGER GAMES: MOCKING JAY PART 1 (2014) (VUDU)
HUNGER GAMES: MOCKING JAY PART 2 (2015) (VUDU)
HUNT-THE (MA) $8
HUNTSMAN-THE WINTERS WAR EXT( ITUNES 4K)
HUSTLE-THE (ITUNES)
HUSTLERS (ITUNES)
ICE AGE DAWN OF THE DINOSAURS (2009) (MA/VUDU/ITUNES)
ICE AGE A MAMMOTH CHRISTMAS SPECIAL (MA/VUDU)
IDENTITY THIEF (VD OR ITUNES)
I FEEL PRETTY (ITUNES)
I SEE YOU (SPLIT) (VUDU $6 OR ITUNES $4)
I STILL BELIEVE (VUDU OR ITUNES 4K) $6
I STILL SEE YOU (VUDU)
IF BEALE STREET COULD TALK (MA)
INCREDIBLES 2 (SPLIT) GP $6)
INCREDIBLES-THE (SPLIT) GP $6
INDEPENDENCE DAY: RESURGENCE (MA OR 4K VIA FOX) $5
INSIDE OUT (GP $5)
INSIDIOUS: THE LAST KEY (SD)(MA)
INSTANT FAMILY (SPLIT) (VUDU OR ITUNES 4K)
INTERSTELLAR (VUDU)
INVISIBLE MAN (MA) 4K $9 OR HD $7
IRONMAN (SPLIT) (MA/ITUNES 4K $8 OR GP $6)
IRONMAN 2 (MA/ITUNES 4K $8 OR MA HD/ITUNES 4K $7 OR GP $6)
IRON MAN 3 (MA4K/ITUNES 4K $8 OR GP $6)
IRON MASK (VUDU OR ITUNES) $7
JACK REACHER N.G.B (SPLIT) VUDU OR ITUNES 4K)
JAMES BOND: THE DANIEL CRAIG COLLECTION (4 FILM BUNDLE) (VD HD $15)
JASON BOURNE : BOURNE IDENTITY (MA) 4K (2002) $8
JASON BOURNE : BOURNE SUPREMACY (MA) 4K (2004) $8
JASON BOURNE : BOURNE ULTIMATUM (MA) 4K (2007) $8
JASON BOURNE : BOURNE LEGACY (MA) 4K (2012) $8
JASON BOURNE (SPLIT) VUDU 4K $8 OR VD HD $4 OR ITUNES 4K $2 (2016)
JAWS 1975 (MA 4K) $7
JEXI (VUDU OR ITUNES 4K) $6
JIU JITSU (VUDU OR ITUNES) ($7)
JOHN HENRY (2020) (VUDU $4 OR ITUNES $2)
JOHN WICK 1 & 2 (VUDU) $10
JOHN WICK 3 4K (VUDU/ITUNES/GP) $10
JOKER (MA 4K $7 OR HDX $5)
JOY (VUDU OR ITUNES 4K) $5
JUDGE-THE (2014) (MA)
JUMANJI: WELCOME TO THE JUNGLE (MA) (SD)
JUNGLE BOOK-THE (2016) (GP $6)
JURASSIC PARK (1993) (MA/VD)
JURASSIC WORLD (2015) (SPLIT) (VD OR ITUNES 4K)
JUSTICE LEAGUE (MA) $5
JUSTICE LEAGUE DARK: APOKOLIPS WAR (MA) $7
JUST MERCY (MA) $8
KICK ASS (VUDU 4K)
KIDNAP (SPLIT) VUDU OR ITUNES)
KILLERMAN (VUDU $5 OR ITUNES $4)
KING ARTHUR: LEGEND OF THE SWORD (MA)
KING OF STATEN ISLAND (MA) $8
KINGSMAN-GOLDEN CIRCLE (MA OR ITUNES 4K)
KITCHEN-THE (2019) (MA HD $4 OR SD $2)
KNICK-THE (S1) (SPLIT) (VUDU $8 OR ITUNES $7)
KNIVES OUT 4K (VUDU OR ITUNES) $8
KNOCK KNOCK (VUDU OR ITUNES)
LAST STAND-THE (SPLIT) (VUDU OR ITUNES)
LAST WITCH HUNTER-THE (VD)
LEGEND OF TARZAN-THE (MA)
LEGION-THE (VUDU OR ITUNES) $6
LEGO DC SHAZAM!: MAGIC & MONSTERS (MA) $6
LEGO MOVIE 4K (2014) (MA) $6 OR VD HD $4
LEGO NINJAGO MOVIE-THE (MA) $5
LIFE (2017) (MA)
LIGHT OF MY LIFE (SPLIT) (VUDU $6 OR ITUNES $4)
LIKE A BOSS (VUDU OR ITUNES 4K) $8
LIVE BY NIGHT (MA)
LOGAN (VUDU OR ITUNES 4K)
LOGAN LUCKY (SPLIT) VUDU OR ITUNES 4K)
LONE SURVIVOR (VUDU)
LONG SHOT (VUDU OR ITUNES 4K) $5
LORAX-THE (SPLIT) (VD OR ITUNES)
LOVE WEDDINGS & OTHER DISASTERS (MA) $7
LUCKY DAY (VUDU OR ITUNES 4K) $6
LUCY (SPLIT) VUDU HD $4 OR ITUNES 4K $5
MAGIC MIKE (MA)
MAMMA MIA-HERE WE GO AGAIN (MA)
MAN OF STEEL (MA)
MEGAN LEAVEY (SPLIT) VUDU OR ITUNES)
MADAGASCAR 3 (🍏)
M:I-6 FALLOUT (SPLIT) (VUDU 4K $5 OR VUDU HD $4 OR ITUNES 4K $4)
MIKE & DAVE NEED WEDDING DATES (VUDU OR ITUNES 4K)
MILE 22 (ITUNES 4K) $2.50
MISS PEREGRINE'S H.F.P.C (VUDU OR ITUNES 4K)
MOANA (MA $4 OR GP $3)
MOB TOWN (VUDU OR ITUNES) $4
MONSTERS UNIVERSITY (GP $5)
MONSTERS, INC.(SPLIT) (MA HD OR ITUNES 4K $7)
MORTAL ENGINES (MA) $5
MOTHER (SPLIT) VUDU 4K $5 OR VUDU HD $2 OR ITUNES 4K $2)
MOTHERLESS BROOKLYN (SD) MA $4
MOUNTAIN BETWEEN US (MA OR ITUNES 4K VIA FOX WEBSITE)
MUD (VUDU)
MULAN 1998 (MA 4K $7 OR GP $5)
MULAN (2020) (SPLIT) (MA $7 OR GP $5)
MUMMY-THE 1999 (SPLIT) (VUDU OR ITUNES 4K)
MUMMY RETURNS-THE 2001 (SPLIT) (VUDU OR ITUNES 4K)
MUMMY-THE: TOMB OF THE DRAGON EMPEROR (2008) (SPLIT) (VUDU OR ITUNES 4K)
MUMMY-THE 2017 (SPLIT) (VUDU OR ITUNES 4K)
MURDER ON ORIENT EXPRESS (MA)
NEW MUTANTS-THE (SPLIT) (MA 4K $9 OR GP $5)
NIGHT BEFORE-THE (MA)
NIGHT HUNTER (VUDU $5 OR ITUNES $4)
NIGHT SCHOOL EXTENDED CUT (MA)
NOBODY'S FOOL (SPLIT) (VUDU $4 OR ITUNES $3)
NOCTURNAL ANIMALS (SPLIT) (VUDU OR ITUNES)
NON-STOP (SPLIT) (VUDU OR ITUNES)
NOW YOU SEE ME 1&2 (VUDU) $8
NUT JOB 2 NUTTY BY NATURE (SPLIT) VUDU OR ITUNES)
OBLIVION (SPLIT) (VUDU HD $4 OR ITUNES 4K $6)
OCEANS 8 (4K) (MA) $7
OFFICE X-MAS PARTY (SPLIT) VUDU OR ITUNES 4K)
OFFICIAL SECRETS (SPLIT) (VUDU OR ITUNES)
ONLY THE BRAVE (MA) HD$4 OR SD$2
ONWARD (SPLIT) MA 4K $8 OR GP $5
OVERLORD (SPLIT) VUDU 4K $6 OR VUDU HDX/ITUNES 4K $4
OZ THE GREAT & POWERFUL (GP) $5
PACIFIC RIM (MA/VD) $5
PAIN & GAIN (SPLIT) (VUDU OR ITUNES)
PARENTAL GUIDANCE (MA) $5
PATERNO (VUDU OR ITUNES)
PATRIOTS DAY 2017 (VUDU)
PEANUT BUTTER FALCON-THE (VUDU OR ITUNES) $8
PEPPERMINT (ITUNES) $2
PERKS OF BEING A WALLFLOWER-THE (VUDU)
PET CEMETERY 2019 (SPLIT) (VUDU 4K $7 VUDU $5 OR $4 ITUNES 4K)
PETERPAN 1953 (GP) $6
PHOENIX FORGOTTEN (VUDU OR ITUNES)
PHOTOGRAPH-THE (MA) $8
PIRATE FAIRY (SPLIT) (MA $7 OR GP $6)
PIRATES O.T.C DMTNT GP $2
PITCH PERFECT 2 (MA/VUDU)
PLANES (GP) $5
PLAYING WITH FIRE (VUDU $5 OR ITUNES $4)
POCAHONTAS 2 (SPLIT) (MA$7 OR GP $6)
POPEYE (1980) VUDU OR ITUNES $7
POST-THE (MA)
PREDATOR-THE (2018) (MA)
PROMETHEUS (MA/VD (HD) OR ITUNES 4K) $8
PURGE ELECTION YEAR-THE (SPLIT) (VUDU OR ITUNES 4K)
QUARRY-THE (VUDU OR ITUNES) $7
QUIET PLACE-A (SPLIT) VUDU OR ITUNES 4K)
RACE (2016) (VUDU OR ITUNES)
RALPH BREAKS THE INTERNET (SPLIT) (MA 4K $6 OR GP $3)
RAMBO LAST BLOOD 4K (VUDU OR ITUNES) $8
RAMPAGE (MA) HD
READY PLAYER ONE (MA)
RICHARD JEWELL SD (MA) $5
RIDE LIKE A GIRL (VUDU OR ITUNES) $8
RINGS (SPLIT) (ITUNES)
RIOT (2016) (VUDU OR ITUNES)
ROBIN HOOD 2018 (VUDU OR ITUNES) $6
ROBOCOP (2014) (VUDU OR ITUNES)
ROCKETMAN (VUDU OR ITUNES 4K)
ROUGE (VUDU OR ITUNES 4K) $7
ROUGE WARFARE (VUDU $6 OR ITUNES $4)
RUN THE RACE (MA) $5
RUSH 2013 (VUDU) $5
RUSSELL MADNESS (MA)
RHYTHM SECTION-THE (VUDU OR ITUNES 4K) $7
SAME KIND OF DIFFERENT AS ME (SPLIT) (ITUNES)
SCARY STORIES TO TELL IN THE DARK 4K (VUDU OR ITUNES) $8
SCOOB! (MA 4K $10)
SECOND ACT (ITUNES)
SECRET: DARE TO DREAM-THE (VUDU OR ITUNES) $8
SECRET GARDEN-THE (ITUNES 4K) $7
SECRET LIFE OF WALTER MITTY-THE (MA)
SERENITY 2019 (MA) $5
SHAFT (2019) (VUDU) $5
SHALLOWS-THE (MA) $5
SHERLOCK HOLMES (2011) MA/VD
SICARIO 4K (VUDU OR ITUNES) $6
SILENCING-THE (VD OR ITUNE5 4K) $7
SILVER LININGS PLAYBOOK (ITUNES)
SING (VUDU) OR (ITUNES 4K*PORTS IN 4K)
SKYSCRAPER (MA)
SLEEPLESS (SPLIT) (VD OR ITUNES)
SNATCHED (SPLIT) VUDU OR ITUNES 4K)
SNOWMAN-THE (2017) (MA) $7
SNOW WHITE & THE 7 DWARFS (1937) (SPLIT) (MA OR ITUNES $7) OR GP $6
SOLO:A STAR WARS STORY (GP) $6
SONIC THE HEDGEHOG (VUDU 4K $9 OR VUDU OR ITUNES 4K $7
SON OF GOD (MA)
SPARE PART 2015 (VUDU)
SPARTACUS (1960) (MA 4K) $6
SPELL (VUDU OR ITUNES 4K) $8
SPIES IN DISGUISE (SPLIT) (GP $6)
SPLIT (2017) (SPLIT) (ITUNES 4K)
STAR TREK BEYOND (SPLIT) VUDU OR ITUNES 4K)
STAR TREK INTO DARKNESS (VUDU)
STAR WARS #7 THE FORCE AWAKENS (SPLIT) (MA-HD/ITUNES 4K $8 OR GP $6)
STAR WARS #8 THE LAST JEDI (SPLIT) (GP $6)
STAR WARS #9 RISE OF SKYWALKER (SPLIT) (MA 4K $7)
STAR WARS ROUGE ONE (SPLIT) (GP $6)
STRANGERS PREY AT NIGHT (MA)
SUICIDE SQUAD (MA) $5
SUPERMAN MAN OF TOMMOROW (MA) $7
SUPERMAN RED SON (MA) $7
SWING OF THINGS (VUDU OR ITUNES) $7
TAMMY (MA)
TANGLED (GP) $6
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Stokes's Bristol Nightclub incident in detail (From: The Comeback Summer by Geoff Lemon)

IF YOU’RE LOOKING for a place where misadventure could begin, you can’t go past Mbargo. The nightclub’s streetfront is painted a purple so bright you’ll see it in your dreams. Strings of giant sequins shimmer in the breeze. Its phonically inventive name is spelt in silver letters that climb its three-storey terrace facade. Inside are strips of burning neon, a few booths, floorboards so marinated in drink that they have an ingredients list. Bristol is a student city on England’s south coast crowded with music and nightlife and street art. This is Banksy’s home town, and the tourism board suggests in rather strong terms that ‘you would be a fool not to see his amazing work firsthand’. The same organisation describes Mbargo as ‘intimate’, which is fair for a place where you can catch an STI standing up. Students cram into its modest dimensions while people with names like DJ Klaud battle for billing with £1.50 drink deals over seven sloppy nights a week. To get a sense of the story about to come, consider that it’s the kind of place open until two o’clock on a Monday morning, and that at two o’clock on a Monday morning, Ben Stokes still thought it had closed too early.
The Ashes of 2017–18 had disciplinary bookends. It was after that series that Australia’s two leaders went off the rails in South Africa. It was a few weeks before that Ashes tour that England’s biggest star windmilled his way into his own disaster.
In the early hours of 25 September 2017, Stokes and teammate Alex Hales were barred from re-entering Mbargo after a night out on the piss. A Sunday thrashing of an abject West Indies in an ignored series at the fag-end of the season apparently required ample celebration. After arguing with the bouncer and hanging about at the door for a while, they wandered off to find a casino in the hope of more drinking. They’d barely made it around the corner before getting in the middle of a conflict between four locals. As is said on the internet, it escalated quickly.
The 26 September reporting was bloodless. Withholding names, police stated that a man ‘was arrested on suspicion of causing actual bodily harm’ while another went to hospital with facial injuries. England’s director of cricket Andrew Strauss separately confirmed that Stokes was the arrestee, adding that he had been released without charge and that Hales had gamely offered to ‘help police with their enquiries’. Administrators had a good chance of hiding behind that investigation, and the next day Stokes was named in the upcoming Ashes squad as expected. But that night the video emerged.
Bristol student Max Wilson had shot it on his phone, then offered it to The Sun. What he thought was playing hardball was actually lowball: his opening price of £3000 was snapped up by a tabloid that would have paid ten times that. The Sun went on to make a mint by syndicating the rights worldwide. From a window above the fray, the vision showed six men on the street below performing the muddled choreography of a melee. One was right at the centre of it. One was waving a bottle, one dipped in and out, one tried to calm it. Two others floated around the edges. The central figure was unmistakable: red hair burning even in the streetlight as he launched into a series of blows against two of the men, falling to grapple with them on the ground, then following both across the street, swinging punches the whole way. Hales trailed behind, repeatedly and impotently shouting ‘Stokes! Stop! Stokes! Enough!’ The ECB could fudge issues that existed only in thickets of legalese, but not those captured in moving colour. Stokes was stood down from the next West Indies match, then suspended indefinitely. It emerged that he had broken his hand during the fight, something he’d done twice before while punching objects in dressing rooms.
The response in Australia was fierce: Stokes was a thug, a lowlife, a selection that would disgrace England. It was not entirely coincidental that a ban for England’s best player would be handy for the Aussie team, but there was also a cultural split. In England, plenty of people still minimise pub fights as lads letting off steam. In Australia, heavy media coverage as a succession of young men were killed had inverted that tolerance. The discourse now saw any punch as potentially deadly and accordingly reckless. This was more poignant in a cricket context given that David Hookes, the dashing Test batsman and state coach, was killed in 2004 by a pub bouncer’s fist.
The PR situation was bad for Stokes as details emerged of the injuries to the men he’d hit, and that one was a young war veteran and father. Stokes wasn’t officially removed from the Ashes squad through October but stayed behind when his teammates left, hoping for police to dismiss the matter in time for a late dash to Australia. His annual contract was renewed on the due date in case that came to pass. Then 29 October brought a twist in the tale.
‘Ben Stokes praised by gay couple after defending them from homophobic thugs,’ ran the headline. Kai Barry and Billy O’Connell had emerged. Not entirely out of nowhere: while Stokes had made no public comment, this story in his defence had initially been leaked to TV host Piers Morgan after the fight, as soon as the video appeared. Police body-camera footage played in court would later show that Stokes had given the same story to the arresting officer on the night. But no-one knew the identities of the fifth and sixth men in the video, and police appeals had turned up nothing.
It was The Sun again with the breakthrough. Kai and Billy were perfect for a readership not keen on nuance. ‘We couldn’t believe it when we found out they were famous cricketers. I just thought Ben and Alex were quite hot, fit guys,’ said Kai, who was memorably described as a ‘former House of Fraser sales assistant’. The paper had the pair do a full photo shoot: layering the fake tan, showing off chest waxes, mixing Ralph Lauren and Louis Vuitton into a range of outfits. Their best shot had them standing back to back, heads turned to the camera, in a mirror-image Zoolander moment.
Suddenly The Sun was the England team’s best friend. ‘Their claims could lead to the all-rounder being cleared over the punch-up and freed to play in the First Test in Australia next month,’ it gushed, then gave a tasting platter of quotes: ‘We were so grateful to Ben for stepping in to help. He was a real hero.’ ‘If Ben hadn’t intervened it could have been a lot worse for us.’ ‘We could’ve been in real trouble. Ben was a real gentleman.’ Would it be known forever as Kai and Billy’s Ashes? No. While the Bristol boys provided spin for Stokes’ reputation they didn’t influence the police. With charges still pending there was little choice – not given Strauss had previously sacked Kevin Pietersen for being annoying. Stokes remained suspended through the Ashes and a one-day series in Australia, and lost the vice-captaincy. It was January 2018 before the Crown Prosecution Service laid a charge.
That charge surprisingly came in as affray, a crime that can carry prison time but is classified as ‘a breach of the peace as a result of disorderly conduct’. The men he had punched, Ryan Ali and Ryan Hale, faced the same count, charged as equal participants in a fight rather than Stokes being charged with assaulting them. Alex Hales was not charged, despite being seen in the video to aim several kicks when Ryan Ali was lying on the ground. Given the underwhelming standing of the offence, Stokes was cleared by the ECB to tour New Zealand, and kept playing until his trial in August 2018, which he missed a Test to attend. None of the three defendants would be convicted.
The reasoning behind the charges was never released and was attributed vaguely to ‘CPS lawyers’. The service gave the case to Alison Morgan, a prosecutor of a class known as Treasury Counsel who usually handle serious criminal matters. Morgan had a scheduling clash and never ended up court for the case, but in 2018 and 2019 she would go on to win damages and admissions of libel from The Daily Mail, The Times and The Daily Telegraph variously for incorrectly reporting that she had been responsible for the inadequate and inconsistent charging decisions.
Morgan’s successor on the case was Nicholas Corsellis QC, who on the first day of trial was permitted by the CPS to request two assault charges be added against Stokes. ‘Upon further review,’ claimed a CPS statement, ‘we considered that additional assault charges would also be appropriate.’ This was patent nonsense from the service that eight months earlier had chosen the lesser charge. Any lawyer knows that no judge will allow new charges once a trial has begun, because the defence hasn’t had time to prepare. But such a request could deflect criticism of the prosecution service by technically making the judge the one who disallows the charge.
Working through the story from the trial and the tape is complicated. You had a Ryan and a Ryan, a Hale and a Hales, a Billy and a Barry and a Ben. You had several versions of events as to who knew whom, who was drinking with whom, who had insulted whom and who had merely engaged in ‘banter’, a word that in modern Britain has to do an unconscionable amount of lifting. The reporting had constantly mixed up the Ryans as to who had which injury, who was in hospital, who had played which part in the fight, and whose mum had which stern words to say about it.
Let’s agree that from now Ryan Ali is Ryan One, the firefighter who ended up with a fractured eye socket and a cracked tooth. Ryan Two can be Ryan Hale, the soldier who scored concussion and facial lacerations. Mr Barry and Mr O’Connell are best known per The Sun as Kai and Billy. In scorecard parlance we’ll leave the cricketers as Stokes and Hales.
Amid the confusion, Stokes and his lawyers built his case in a straightforward way. The UK legal definition of affray is ‘if a person threatens or uses unlawful violence or force towards another person, which causes another person of reasonable firmness present at the scene to fear for their safety’. That means it doesn’t account for violence that harms a target, but violence that might frighten a theoretical bystander. The wiggle room for Stokes was with ‘unlawful’, because the charge excuses violence in defending oneself or others.
This interpretation hinged on the beginning of the video, where Ryan One waves a beer bottle about and takes a swing at Kai. The version from Stokes was that he was minding his own business walking down the street when he heard homophobic abuse. He intervened verbally and was threatened verbally by Ryan One – something that Ryan One denied but that couldn’t be proved or disproved. In fear for his safety Stokes had to nullify that threat by bashing Ryan One before it went the other way. He registered Ryan Two in his peripheral vision as another possible threat, and again had only one recourse.
Stokes also had to convince the jury to disregard testimony from Mbargo’s bouncer that he had been looking for a fight. A solid lump of a man, Andrew Cunningham had not enjoyed his patron’s attempts to get back into the club after the bouncer declined an offer of a bribe. ‘He got a bit verbally abusive towards myself. He mentioned my gold teeth and he said I looked like a cunt and I replied, “Thank you very much.” He just looked at me and told me my tattoos were shit and to look at my job.’ Cunningham described these words as coming in ‘a spiteful tone, quite an angry tone’, and said that Stokes still seemed angry as he walked away.
These were details the doorman had nothing to gain by inventing, but each of them Stokes denied. By his own accounting he had drunk a beer at the game and three pints at his hotel, then ‘potentially had some Jägerbombs’ along with half a dozen vodkas at the club. He insisted that after all of this he was not drunk.
If I may take a moment here to call upon the wisdom of experience – a person who cannot definitively say whether they have had any Jägerbombs has definitely had some Jägerbombs. A Jägerbomb is an experience that does not pass one by. Further to that, a person who says they have ‘potentially’ done something has definitely done that thing and doesn’t want to admit it. A person who has had between 15 and 24 standard drinks in one evening is shitfaced. A person who tries to bribe a bouncer £300 – three hundred quid! – to get into Mbargo – Mbargo! – is beyond shitfaced.
If Stokes admitted that he was drunk then the prosecution could say he was out of control. He claimed clear recall of assessing a threat, feeling fear and deciding to protect himself with force. He confidently denied details from the bouncer’s testimony, like using the word ‘cunt’ or mentioning gold teeth. Yet on other details he claimed a ‘significant memory blackout’. He didn’t remember the punch that saw Ryan One taken away by ambulance. He didn’t remember what the Ryans had said to Kai and Billy, only that those words were homophobic. With no head injury, as one of the few people who hadn’t been hit, he had supposedly suffered this memory loss despite being sober.
The version from Kai and Billy was compatible but vague: they had been walking along, they ‘heard … shouts’ of abuse from an unspecified source, then Stokes ‘stepped in’ and thus they avoided possible harm. They claimed to have been bought a drink by Stokes at Mbargo, although CCTV showed them meeting outside. The overall implication from both accounts was that the cricketers had been pals with Kai and Billy, while the Ryans as per The Sun’s headline were a roving band of thugs.
The reality though is that the Ryans were the ones hanging out with Kai and Billy at Mbargo. Police discussed CCTV from inside the club in questioning and at trial. On that footage the four Bristolians bought drinks for one another, danced together, and Kai was noted to have variously touched Ryan Two’s crotch and Ryan One’s buttock. Ryan One told police that all of this was taken lightheartedly and wasn’t a problem. Indeed, when the Ryans called it a night the other two left with them.
This much is clear from footage out the front of Mbargo, which shows Kai and Billy exit the club and start talking with a subdued Hales and a demonstrative Stokes, who are stuck outside. The vision was played in court to determine whether Stokes was antagonistic towards Kai and Billy, as he appears to impersonate them and to throw a lit cigarette their way. More interesting is that after a few minutes the Ryans emerge, and all six actors in the fight video briefly form a prequel in the one frame.
Ryan Two pats Billy on the chest in friendly fashion with his right hand before clapping him on the back with his left. He moves past and does the same to Kai before leaving the shot. Ryan One stops to speak to Kai. They lean in for a moment, talking, then Kai turns and they walk out of frame together. Billy hangs around for a few seconds at the door and then looks after them and races to catch up. Stokes and Hales remain outside the club to remonstrate further with the bouncers. Whatever discord develops around the corner is between four men who left amicably together minutes earlier.
There’s no way to know what caused that friction. If Ryan One did use homophobic slurs, he might have been drunkenly obnoxious for no reason. He might have had an insecure macho response to some extra flirtation. He might have thought unkindness was funny – ‘banter’ once again. Or he might have said something that was misunderstood, as both Ryans insisted in court that they had not used nor had the impulse to use any abusive language.
What clearly didn’t happen was an attack by bigots on random passers-by. This kind of crime is regular enough that an audience understands the horror of it, and this is what was evoked by the public accounts of Stokes, Billy and Kai. All we know is that there was some verbal dispute among the Bristol locals, and that Stokes came along behind them and put himself in the middle of it. Ryan One responded to the interference aggressively and away they went. There are plenty of reasons to look sideways at the idea that Stokes was a saviour. Foremost, neither Kai nor Billy was called upon as witnesses in court. You’d think it would be ideal to have Stokes’ story backed up by those who benefited from his selflessness. But his defence team had developed the impression that the pair had shown a changeable recall of events amid a hard-partying lifestyle, and would be dismantled by the prosecution on the stand.
That raises the question of whether The Sun coached their quotes for the 2017 interview. Despite missing court, Kai and Billy clearly enjoyed the attention. In 2018 after the trial they did a follow-up spread in the same paper about how poor Ben had been mistreated. They got a television spot on Good Morning Britain and glowed about his heroism. In 2019 The Sun wheeled them out once more to say that Stokes should get a knighthood. In 2017 they had ‘never watched cricket’ but by 2019 were supposedly volunteering sentences like, ‘He saved us, now he’s saved the Ashes.’ Whether they were paid for these appearances is not known, but the chance to be famous for a day can be lure enough.
If you find this cynical, consider that on the night in question, the Bristol boys were so deeply moved and thankful for Ben’s intervention that they left him to be arrested and never attempted to find out who he was. Seconds after the video ended, an off-duty policeman reached the scene. You might think that someone grateful to a saviour would speak on his behalf. Instead, said Kai, ‘it all got a bit scary so we walked off. It was too much for me and we went to Quigley’s takeaway for chicken burgers and cheesy chips.’ They didn’t give their hero a thought for over a month while police issued multiple appeals for witnesses.
As for Stokes, he told his arresting officer that ‘his friends’ had been attacked. After three minutes of chat outside a nightclub, these friends were so dear to him that he has never contacted them again: not after the newspaper piece, not after the verdict. He didn’t want to see how they were or thank them for their support. He didn’t mention them by name in his solicitor’s statement after the trial.
The Stokes defence rested on Ryan One’s bottle, which he had carried out of Mbargo to finish a beer, not to use in a Sharks versus Jets amateur production. But once he turned it over to hold it by the neck it became a weapon. Intent and interpretation can change the material nature of things. Part of Stokes’ justification in court was that the bottle implied that the two Ryans might have ‘other weapons’ hidden away. You can understand how a jury could decide that created doubt.
Not being convicted, though, doesn’t give the contents of the video a big green tick. It does not, as his lawyer claimed, vindicate Stokes. Looking in detail, Ryan One is belligerent but his movements telegraph a bluff. Hales is the person he’s gesturing at, but they’re several metres apart when Ryan One cocks his arm ostentatiously, showing off the bottle rather than bracing to swing. He skips forward but Hales skips back and Ryan One doesn’t follow. Kai stretches out an arm to impede Ryan One, who has a drunken stumble, nearly eats pavement, then staggers towards Kai and hits him in the back. That hand is still holding the bottle, but his strike is a side-arm cuff on a soft part of the body. It’s all pretty tame.
This is where Stokes gets involved. Having moved across to protect Hales, he now takes three large steps to run around Kai and booms his first punch at Ryan One. They fall to the ground and the bottle clinks away. Stokes gets to his feet to punch down at the fallen man, while Hales arrives to kick him ineffectively then runs off across the street for some unknown reason. Ice-cream van? Stokes is soon back in the grapple having his shirt pulled up to show off his Durham tan. Ryan Two steps in for the first time to pull Stokes away, prompting a couple more random punches at this new target, then Stokes trips backwards over Ryan One and sprawls in the street. Hales chooses this moment to return and aim some solid kicks at the head of the man on the ground. Nothing so far is a triumph of moral philosophy or the pugilistic arts. But if it all stopped here, perhaps you could say it was somewhere approaching fair. Ryan One has behaved like a turnip and it’s not an entirely unjust world that would give him a whack across the chops. The antagonists have disentangled, Stokes has some distance, it’s time to dust off and go home. Ryan Two steps forward for this purpose with his palm raised in conciliatory style and says, ‘Settle down, stop.’
So Stokes punches him.
It’s roughly his fifth punch overall, and he really winds up into this one. He misses so hard that he stumbles away into the shadows of the shop awnings along the road.
Hales starts shouting for him to stop. Ryan Two backs into the street, still holding his palm up. Stokes closes on him from about five metres away, six large steps, to where Ryan Two is standing on his own. Stokes pushes him a couple of times, as Ryan Two keeps trying to placate him and saying ‘Stop.’ Stokes throws his sixth punch, largely missing as his target ducks.
Ryan Two keeps pulling away and reversing, into the middle of the street now. Stokes follows him, grabbing his sleeve to drag him back. By this point Ryan One has found his feet and walked around behind his friend. Both of them are in the same line of sight for Stokes, and both are backing away. Stokes aims his seventh and his eighth punches, which Ryan Two tries to deflect, as Hales walks up behind Stokes to grab him.
Stokes yanks away from his friend and switches to Ryan One instead, taking seven paces to grab him before throwing his ninth punch of the night. He grabs again; Ryan One blocks that arm and pushes himself back away from Stokes. Ryan Two again intercedes, putting himself between the two with his palms up and his arm extended.
Stokes throws his tenth punch, a right-hander at the face of Ryan Two, then shoves him backwards. Ryan Two backs away once more, four paces. Stokes follows, steadies, lines up, then launches his strongest punch yet, his eleventh, a proper right hook from a solid base, one that cracks across the man’s head and gives him concussion. Ryan Two ends up flat on his back in the middle of the street, his hands still outstretched for a moment in useless protest until they twitch and drop to the blacktop.
Stokes isn’t done. He once more shoves away the restraining Hales and follows Ryan One, who keeps backing away saying, ‘Alright, alright, alright.’ Five more paces from Stokes before another blow at the man’s head. Kai and Billy are now standing over the poleaxed Ryan Two. The video ends, but seconds later Stokes will punch Ryan One hard enough to knock him out too, before off-duty cop Andrew Spure arrives on the scene to bring down the curtain. When the body-camera footage kicks in some minutes later, Stokes is in handcuffs but Ryan One is still laid out in the street. Ryan Two has regained consciousness, folded his shirt under his friend’s head and is asking police for an ambulance.
‘At this point, I felt vulnerable and frightened. I was concerned for myself and others.’ This was how Stokes described that sequence to the court. An elite athlete with years of gym work and training to snap a bat through the line of a ball with astounding power and precision, swinging fists as hard as he can at men with none of those advantages. Punching so hard that he breaks his hand, and repeatedly shoving away a friend so he can punch some more. Frightened and threatened by two targets shouting ‘Get back!’ and ‘Stop!’
The off-duty officer testified that Stokes ‘seemed to be the main aggressor or was progressing forward trying to get to’ Ryan One, who was ‘trying to back away or get away from the situation’. The student who filmed the video can be heard on the tape at one stage exclaiming ‘Fuck!’ and testified that it was because ‘I felt a little bit sorry about the lad that had been punched and it looked like he had his hands up’. That tallied with the prosecutor’s depiction of ‘a sustained episode of significant violence that left onlookers shocked at what was taking place’.
The defendant stuck to his strategy. ‘No, my sole focus was to protect myself.’ All up, in the 33 seconds of footage after he falls over, Stokes takes 35 steps forward to keep hitting two men who keep trying to get away. Not once is he hit back.
After the verdict, Stokes’ solicitor positioned him as the victim. It had been ‘an eleven-month ordeal for Ben … The jury’s decision fairly reflects the truth of what happened that night … He was minding his own business … It was only when others came under threat that Ben became physically engaged. The steps that he took were solely aimed at ensuring the safety of himself and the others present …’ The statement was impossibly self-righteous and self-absorbed.
If there was anyone to feel sorry for it was Ryan Hale, the second of our two Ryans. He’s the one who emerged from the club with a friendly arm around the shoulder for Kai and Billy. He’s the one who interposed himself to end the fight, then kept putting himself back in the firing line, trying to calm an intimidating stranger while dodging blows. For his show of restraint he got laid out regardless, concussed in the street, then was issued a criminal charge equal to that of the man who hit him, and described in national media as a violent bigot in an untested story to support that man’s defence.
Lawyers for Ryan Two made a more convincing post-trial statement, noting that Kai and Billy, ‘neither of whom were relied upon by the prosecution or the defence team for Mr Stokes, have taken the opportunity to speak with various media outlets about the alleged homophobic abuse that they received in the early hours of September 25. Mr Hale has passionately denied this allegation throughout the course of this case,’ it continued.
‘It is upsetting to Mr Hale that although he was acquitted, the accusation that he was the author of such abuse remains. Both Mr Hale and Mr Ali were knocked unconscious by Mr Stokes, and although Mr Stokes has been acquitted of an affray, Mr Hale struggles with the reasons why the Crown Prosecution Service did not treat him as a victim of an unlawful assault.’Good question. Avon and Somerset police were the investigating force, and they were frustrated by the decision. Ryan Two was filmed clearly not hurting anyone, but police were instructed by the CPS to proceed with a charge. Hales (the cricketer) was filmed fighting but ‘a decision was made at a senior level of the CPS’ not to proceed. Police expected Stokes to be charged with assault but the CPS declined. It doesn’t take a wild cynic to think that placing the same lukewarm charge on three men for vastly divergent behaviour might ensure that none would be convicted, even as the trial would maintain the pretence that a defendant of influential standing had not been given a free pass.
A couple of years down the line, the original interview with Kai and Billy has disappeared. All traces have been scrubbed from The Sun website, its social media history, and even from the Wayback Machine internet archive. Given its headline of ‘homophobic thugs’ and text that names Ryan Two but not Ryan One, the libel liability isn’t hard to spot. Later interviews with Kai and Billy take the passive voice – they ‘suffered homophobic slurs outside a Bristol nightclub’.
The article that was once claimed to exonerate brave Ben Stokes now links only to a missing content page, with a picture of a dropped ice-cream cone and the phrase ‘legal removal’ inserted into the web URL. In terms of consequences, Stokes missed one tour. When he resumed his career in January 2018, the Australians hadn’t yet ruined theirs. Their year-long bans looked much more stringent. But the Stokes case dragged on in other ways. With no criminal liability, the Australians confessed promptly enough for the sporting world to give them the full length of the lash. Their situation was ugly but there was closure. Stokes got stuck in legal stasis, unable to be fully backed or condemned. Instead his issue was always present, a browser full of open tabs that the ECB swore they would read any day now.
Through 2018 Stokes was back but he wasn’t back, in the sunglasses and finger-guns sense. In his return one-day series he nearly cost England a match with 39 from 73 balls in Wellington. His first Test hit was a duck as England got rolled in Auckland for 58. At Trent Bridge while Stokes was injured, England posted a world record 481 against Australia. With Stokes three weeks later at the same ground they made 268. He crawled to 50 from 103, the second-slowest any Englishman had reached that milestone in 20 years. That span covered Alastair Cook’s whole career. It was apologetic batting, acting out responsibility via the scorecard. Stokes was creeping back into the team like he’d been kicked out in a blazing row and was hoping to tip-toe to the sofa.
It was December 2018 before the ECB disciplinary committee ruled on him and Hales. In a ‘remarkable coincidence’, wrote Simon Heffer in The Telegraph, ‘the punishment both players faced in terms of bans from playing at international level was covered by the amount of games they had already missed when dropped by England’s selectors, in the furore that followed the incident’. The verdict compounded the omissions around the case by not addressing the violence at its heart. Nor did Stokes, apologising only ‘to my team-mates, coaches and support staff’, and then ‘to England supporters and to the public for bringing the game into disrepute’.
The implicit next step was to rebuild that reputation. It might have been easier had his court defence not meant that he wasn’t game to admit any fault at all. It might have been easier if he or his advisers had been willing to change tack once the trial was done. Imagine a world where Stokes had stood outside court and apologised for overreacting, for the injuries he’d caused, and for the time and energy he had sucked out of other people’s lives. That would have been a show of responsibility beyond a scorecard. When the time came around to assess forgiveness, it might have meant forgiveness was deserved.
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ALADDIN 2019 (MA 4K $8)
ALIEN COVENANT (VUDU OR ITUNES 4K PORTS)
ALMOST CHRISTMAS (SPLIT) VUDU OR ITUNES)
AMERICAN MADE (MA) $5
AMERICAN REUNION (UNDATED) (2012) (SPLIT) VUDU OR ITUNES
AMERICAN SNIPER (MA) $5
A MILLION WAYS TO DIE IN THE WEST (UNRATED) (VUDU OR ITUNES)
ANGEL HAS FALLEN 4K (VUDU OR ITUNES) $8
ANNIE (2014) (MA) (SD)
ANNIHILATION (SPLIT) VUDU OR ITUNES 4K)
ANTEBELLUM 4K (VUDU OR ITUNES) $10
APPARITION-THE (MA) 2012
AQUAMAN (MA) $5
AGRO (MA/VUDU)
ARRIVAL (SPLIT) VUDU OR ITUNES 4K
ART OF RACING IN THE RAIN-THE (MA) $7
ATOMIC BLONDE (SPLIT) VUDU 4K $6 OR VUDU HD $4 OR ITUNES 4K $4)
AVENGERS ENDGAME (SPLIT) MA(HD)/ITUNES 4K $7 OR (GP $5)
AVENGERS I.W (SPLIT) (MA $6 OR GP $5)
ARKANSAS (VUDU OR ITUNES) $5
BACK TO THE FUTURE 3-MOVIE (MA/HD) 10.25
BACK TO THE FUTURE 3-MOVIE (MA/4K) $15
BACKDRAFT 2 (MA)
BAD MOMS CHRISTMAS-A (ITUNES)
BAD TIMES AT THE EL ROYAL (MA) $5
BALLERS S2 (SPLIT) (ITUNES)
BALLERS S3 (SPLIT) (VUDU OR ITUNES)
BARBER SHOP THE NEXT CUT (VUDU)
BATMAN HUSH (MA) $5
BATMAN: SOUL OF THE DRAGON (MA) $8
BATMAN V. SUPERMAN: DAWN OF JUSTICE (MA)
BAYWATCH (SPLIT) (VUDU 4K $5 OR VD HD $4 OR ITUNES 4K $4)
BEAUTY & THE BEAST (LIVE) (SPLIT) MA $4 OR GP $2
BEGUILED (MA)
BEST OF ENEMIES-THE (ITUNES)
BIG WEDDING-THE (VUDU)
BILL & TED FACE THE MUSIC (VD $$6.50)
BIRDS OF PREY (MA) 4K $9 OR HD $7
BLACK CHRISTMAS (MA) $7
BLACK PANTHER (SPLIT) (MA(HD)/🍏4K $7 OR GP $6)
BLINDED BY THE LIGHT (SD) (MA) $2
BLOODSHOT (MA) $8
BODY CAM (VUDU OR ITUNES 4K) $7
BOOK CLUB (ITUNES 4K) $2
BOSS BABY-THE (MA)
BOY 2-THE (ITUNES 4K) $6.50
BOYHOOD (VUDU OR ITUNES)
BRAVE (SPLIT) (MA $7 OR GP $6)
BREACH (VD OR ITUNES) $9
BREAKING IN (MA)
BREAKTHROUGH (MA) $6
BREACH (VUDU OR ITUNES) $10
BRIDESMAIDS (VUDU OR ITUNES)
BUDDY GAMES (VUDU OR ITUNES) $8
BUGS LIFE-A (SPLIT) (MA $7 OR GP $6)
BUMBLEBEE (SPLIT) (VUDU 4K $6 OR VUDU $4 OR ITUNES 4K) $2
BUTTONS A CHRISTMAS TALE (SPLIT) VUDU OR ITUNES
BYE BYE MAN (UNRATED) (SPLIT) (ITUNES)
CALL OF THE WILD (SPLIT) (MA) 4K $9, HD $6 OR GP $3)
CAPTAIN MARVEL (GP $5)
CAPTAIN UNDERPANTS FIRST EPIC MOVIE (MA)
CARS 3 (NP) (MA(HD)/ITUNES 4K$6 OR GP $5)
CATS & DOGS 3 :PAWS UNITE (MA) $8
CASINO 4K 1995 (MA) $8
CHRISTOPHER ROBIN (2018) SPLIT (MA $7) OR GP $5
COMING TO AMERICA 4K (ITUNES) $7
CONJURING-THE (MA)
CORRUPTED-THE (VUDU $5 OR ITUNES) $4
COUNTDOWN (ITUNES 4K) $5
COURT JESTER (1956) (SPLIT) (VUDU OR ITUNES) $5
CRAFT-THE: LEGACY (MA) $8
CRAWL (SPLIT) (VUDU OR ITUNES 4K) $6
CREED 2 (VD) $5
CULT OF CHUCKY(UNRATED) (SPLIT) (ITUNES)
CURE FOR WELLNESS-A (SPLIT) VUDU OR ITUNES)
DADDY'S HOME 2 (SPLIT) VUDU 4K $6 OR VUDU HD $4 OR ITUNES 4K $3)
DALLAS BUYERS CLUB (VUDU OR ITUNES)
DARK KNIGHT RISES-THE (MA)
DEADWOOD THE MOVIE (VD) $5
DEATH WISH (VUDU)
DEEP WATER HORIZON (4K) (VUDU OR ITUNES) $6.50
DEN OF THIEVES (ITUNES)
DESPICABLE ME 3 (SPLIT) (VUDU OR ITUNES 4K)
DIVERGENT (2014) (VUDU)
DIVERGENT: ALLEGIANT SERIES (2016) (VUDU) $8
DIVERGENT: INSURGENT SERIES (2015) (VUDU) $8
DOCTOR SLEEP + DIRECTOR'S CUT (MA) $8
DOLPHIN TALE 2 (MA)
DOLITTLE (MA) $7
DOOM ANNIHILATION (MA) $5
DOORMAN-THE (VUDU OR ITUNES 4K) $7
DORA & THE LOST CITY OF GOLD (VUDU OR ITUNES 4K)
DO THE RIGHT THING 4K (MA) $6
DOWNSIZING (SPLIT) VUDU OR ITUNES 4K)
DUNKIRK (MA)
ECHO BOOMERS (VUDU OR ITUNES) $7
ESCAPE PLAN (2013) VUDU
EXPENDABLES 2 (2012) (VUDU OR ITUNES 4K)
FAHRENHEIT 451 (SPLIT) (ITUNES)
FANTASTIC BEAST & WHERE TO FIND THEM 4K (MA) (2016) $7
FAST & THE FURIOUS #1- (SPLIT) VUDU/MA)
FAST & THE FURIOUS #2- (SPLIT) (VUDU/MA)
FAST & THE FURIOUS #3- (SPLIT) (VUDU/MA)
FAST & THE FURIOUS #4- (SPLIT) ( VUDU/MA)
FAST & THE FURIOUS #5 - EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES HD)
FAST & THE FURIOUS #6 - EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K)
FAST & THE FURIOUS #7 EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K)
FAST & THE FURIOUS #8 - FATE OF THE FURIOUS EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K
FAULT IN OUR STARS-THE (VD OR ITUNES 4K)
FIFTY SHADES DARKER UNRATED (SPLIT) (VUDU OR ITUNES 4K )
FIFTY SHADES OF GREY (SPLIT) (VUDU OR ITUNES 4K)
FINDING DORY (SPLIT) (MA(HD) OR ITUNES 4K $6) NP OR (GP $4)
FIRST MAN (MA) $6
FOCUS (2015) (MA)
FORCE OF NATURE (VUDU OR ITUNES 4K) $6
FOUR KIDS & IT (VD) $6
FOX & THE HOUND 2 (SPLIT) (GP$6)
FROZEN (SPLIT) (MA 4K $7 OR GP $5)
GAME OF THRONES S8 (SPLIT) (VUDU OR ITUNES) $8
GAURDIANS OF THE GALAXY VOL. 2 (SPLIT)
GEMINI MAN (VUDU 4K $8 OR HD $6 OR ITUNES 4K $4)
GENTLEMAN1-THE (ITUNES 4K) $8
GET HARD (MA)
GET OUT (SPLIT) (ITUNES 4K)
GHOSTBUSTERS 2 1989 (MA) $5
GHOST IN THE SHELL 2017 (SPLIT) VUDU OR ITUNES 4K)
GIFTED (2017) (MA/VD OR ITUNES) $5
GIRL ON THE TRAIN (SPLIT) VUDU OR ITUNES 4K)
GIRLS TRIP (SPLIT) (VUDU) OR (ITUNES)
GLASS (MA) $5
GOING IN STYLE (MA)
GOLD (SPLIT) (ITUNES)
GOLDFINCH-THE (MA) (SD) $2
GOOD DINOSAUR-THE (GP $5)
GOOD LIAR-THE SD MA
GOONIES-THE 4K (MA) $7
GREAT WALL-THE (SPLIT) VUDU OR ITUNES 4K)
GREENLAND ITUNES 4K ($13)
GRETEL & HANSEL (VUDU) HD $8
GREY-THE (VUDU OR ITUNES)
GRINCH (2018) (MA) $6
GRINGO (AMAZON PRIME) $2
GROWN UPS 2 (MA)
GUNMAN-THE (SPLIT) (VUDU OR ITUNES)
HACKSAW RIDGE 4K (VUDU OR ITUNES) $7
HALLOWEEN (2018) (MA)
HANGOVER 2 (MA)
HAPPYTIME MURDERS (ITUNES)
HARRIET (MA) $9
HARRY POTTER & THE DEATHLY HALLOWS PT 2 (#7) (MA)
HEAT-THE (2013) (SPLIT) (VUDU OR ITUNES)
HEAVEN IS FOR REAL (MA HD $4 OR SD $2)
HIDDEN FIGURES (VUDU OR ITUNES 4K)
HIGH NOTE (MA) $8
HOBBIT-THE : AN UNEXPECTED JOURNEY (MA) $5
HOCUS POCUS (GP) $3
HOLMES & WATSON (MA) $5
HOME ALONE 2 (MA)
HONEST THIEF (MA) $9
HOSTILES (VUDU OR ITUNES) $5
HOT TUB TIME MACHINE (MA)
HOUSE-THE (MA)
HOW THE GRINCH STOLE X-MAS 2000 (MA 4K) $7
HOW TO TRAIN YOUR DRAGON 1 (ITUNES )
HOW TO TRAIN YOUR DRAGON 1-3 (MA) $14
HOW TO TRAIN YOUR DRAGON 2 (MA)
HOW TO TRAIN YOUR DRAGON 3 (MA) $6
HUNGER GAMES (2012) (SPLIT) (VUDU OR ITUNES)
HUNGER GAMES: CATCHING FIRE (2013) (VUDU)
HUNGER GAMES: MOCKING JAY PART 1 (2014) (VUDU)
HUNGER GAMES: MOCKING JAY PART 2 (2015) (VUDU)
HUNT-THE (MA) $8
HUNTSMAN-THE WINTERS WAR EXT( ITUNES 4K)
HUSTLE-THE (ITUNES)
HUSTLERS (ITUNES)
ICE AGE DAWN OF THE DINOSAURS (2009) (MA/VUDU/ITUNES)
ICE AGE A MAMMOTH CHRISTMAS SPECIAL (MA/VUDU)
I FEEL PRETTY (ITUNES)
I SEE YOU (SPLIT) (VUDU $6 OR ITUNES $4)
I STILL BELIEVE (VUDU OR ITUNES 4K) $6
I STILL SEE YOU (VUDU)
IF BEALE STREET COULD TALK (MA)
INCREDIBLES 2 (SPLIT) GP $6)
INCREDIBLES-THE (SPLIT) GP $6
INDEPENDENCE DAY: RESURGENCE (MA OR 4K VIA FOX) $5
INSIDE OUT (GP $5)
INSIDIOUS: THE LAST KEY (SD)(MA)
INSTANT FAMILY (SPLIT) (VUDU OR ITUNES 4K)
INTERSTELLAR (VUDU)
INVISIBLE MAN (MA) 4K $9 OR HD $7
IRRESISTIBLE (MA) $10
IRONMAN (SPLIT) (MA/ITUNES 4K $8 OR GP $6)
IRONMAN 2 (MA/ITUNES 4K $8 OR MA HD/ITUNES 4K $7 OR GP $6)
IRON MAN 3 (MA4K/ITUNES 4K $8 OR GP $6)
IRON MASK (VUDU OR ITUNES) $7
JACK REACHER N.G.B (SPLIT) VUDU OR ITUNES 4K)
JAMES BOND: THE DANIEL CRAIG COLLECTION (4 FILM BUNDLE) (VD HD $15)
JASON BOURNE : BOURNE IDENTITY (MA) 4K (2002) $8
JASON BOURNE : BOURNE SUPREMACY (MA) 4K (2004) $8
JASON BOURNE : BOURNE ULTIMATUM (MA) 4K (2007) $8
JASON BOURNE : BOURNE LEGACY (MA) 4K (2012) $8
JASON BOURNE (SPLIT) VUDU 4K $8 OR VD HD $4 OR ITUNES 4K $2 (2016)
JAWS 1975 (MA 4K) $7
JEXI (VUDU OR ITUNES 4K) $6
JIU JITSU (VUDU OR ITUNES) ($7)
JOHN HENRY (2020) (VUDU $4 OR ITUNES $2)
JOHN WICK 1 & 2 (VUDU) $10
JOHN WICK 3 4K (VUDU/ITUNES/GP) $10
JOKER (MA 4K $7 OR HDX $5)
JOY (VUDU OR ITUNES 4K) $5
JUDGE-THE (2014) (MA)
JUMANJI: WELCOME TO THE JUNGLE (MA) (SD)
JUNGLE BOOK-THE (2016) (GP $6)
JURASSIC PARK (1993) (MA/VD)
JURASSIC WORLD (2015) (SPLIT) (VD OR ITUNES 4K)
JUSTICE LEAGUE (MA) $5
JUSTICE LEAGUE DARK: APOKOLIPS WAR (MA) $7
JUST MERCY (MA) $8
KICK ASS (VUDU 4K)
KIDNAP (SPLIT) VUDU OR ITUNES)
KILLERMAN (VUDU $5 OR ITUNES $4)
KING ARTHUR: LEGEND OF THE SWORD (MA)
KING OF STATEN ISLAND (MA) $8
KINGSMAN-GOLDEN CIRCLE (MA OR ITUNES 4K)
KITCHEN-THE (2019) (MA HD $4 OR SD $2)
KNICK-THE (S1) (SPLIT) (VUDU $8 OR ITUNES $7)
KNIVES OUT 4K (VUDU OR ITUNES) $8
KNOCK KNOCK (VUDU OR ITUNES)
LAST STAND-THE (SPLIT) (VUDU OR ITUNES)
LAST WITCH HUNTER-THE (VD)
LEGEND OF TARZAN-THE (MA)
LEGION-THE (VUDU OR ITUNES) $6
LEGO DC SHAZAM!: MAGIC & MONSTERS (MA) $6
LEGO MOVIE 4K (2014) (MA) $6 OR VD HD $4
LEGO NINJAGO MOVIE-THE (MA) $5
LIFE (2017) (MA)
LIGHT OF MY LIFE (SPLIT) (VUDU $6 OR ITUNES $4)
LIKE A BOSS (VUDU OR ITUNES 4K) $8
LIVE BY NIGHT (MA)
LOGAN (VUDU OR ITUNES 4K)
LOGAN LUCKY (SPLIT) VUDU OR ITUNES 4K)
LONE SURVIVOR (VUDU)
LORAX-THE (SPLIT) (VD OR ITUNES)
LOVE WEDDINGS & OTHER DISASTERS (MA) $7
LUCKY DAY (VUDU OR ITUNES 4K) $6
LUCY (SPLIT) VUDU HD $4 OR ITUNES 4K $5
MAGIC MIKE (MA)
MAMMA MIA-HERE WE GO AGAIN (MA)
MAN OF STEEL (MA)
MEGAN LEAVEY (SPLIT) VUDU OR ITUNES)
MADAGASCAR 3 (🍏)
M:I-6 FALLOUT (SPLIT) (VUDU 4K $5 OR VUDU HD $4 OR ITUNES 4K $4)
MIKE & DAVE NEED WEDDING DATES (VUDU OR ITUNES 4K)
MILE 22 (ITUNES 4K) $2.50
MISS PEREGRINE'S H.F.P.C (VUDU OR ITUNES 4K)
MOANA (MA $4 OR GP $3)
MOB TOWN (VUDU OR ITUNES) $4
MONSTERS UNIVERSITY (GP $5)
MONSTERS, INC.(SPLIT) (MA HD OR ITUNES 4K $7)
MORTAL ENGINES (MA) $5
MOTHER (SPLIT) VUDU 4K $5 OR VUDU HD $2 OR ITUNES 4K $2)
MOTHERLESS BROOKLYN (SD) MA $4
MOUNTAIN BETWEEN US (MA OR ITUNES 4K VIA FOX WEBSITE)
MUD (VUDU)
MULAN 1998 (MA 4K $7 OR GP $5)
MULAN (2020) (SPLIT) (MA $7 OR GP $5)
MUMMY-THE 1999 (SPLIT) (VUDU OR ITUNES 4K)
MUMMY RETURNS-THE 2001 (SPLIT) (VUDU OR ITUNES 4K)
MUMMY-THE: TOMB OF THE DRAGON EMPEROR (2008) (SPLIT) (VUDU OR ITUNES 4K)
MUMMY-THE 2017 (SPLIT) (VUDU OR ITUNES 4K)
MURDER ON ORIENT EXPRESS (MA)
NEW MUTANTS-THE (SPLIT) (MA 4K $9 OR GP $5)
NIGHT BEFORE-THE (MA)
NIGHT HUNTER (VUDU $5 OR ITUNES $4)
NIGHT SCHOOL EXTENDED CUT (MA)
NOBODY'S FOOL (SPLIT) (VUDU $4 OR ITUNES $3)
NOCTURNAL ANIMALS (SPLIT) (VUDU OR ITUNES)
NON-STOP (SPLIT) (VUDU OR ITUNES)
NOW YOU SEE ME 1&2 (VUDU) $8
NUT JOB 2 NUTTY BY NATURE (SPLIT) VUDU OR ITUNES)
OBLIVION (SPLIT) (VUDU HD $4 OR ITUNES 4K $6)
OCEANS 8 (4K) (MA) $7
OFFICE X-MAS PARTY (SPLIT) VUDU OR ITUNES 4K)
OFFICIAL SECRETS (SPLIT) (VUDU OR ITUNES)
ONLY THE BRAVE (MA) HD$4 OR SD$2
ONWARD (SPLIT) MA 4K $8 OR GP $5
OVERLORD (SPLIT) VUDU 4K $6 OR VUDU HDX/ITUNES 4K $4
OZ THE GREAT & POWERFUL (GP) $5
PACIFIC RIM (MA/VD) $5
PAIN & GAIN (SPLIT) (VUDU OR ITUNES)
PARENTAL GUIDANCE (MA) $5
PATERNO (VUDU OR ITUNES)
PATRIOTS DAY 2017 (VUDU)
PEANUT BUTTER FALCON-THE (VUDU OR ITUNES) $8
PEPPERMINT (ITUNES) $2
PERKS OF BEING A WALLFLOWER-THE (VUDU)
PET CEMETERY 2019 (SPLIT) (VUDU 4K $7 VUDU $5 OR $4 ITUNES 4K)
PETERPAN 1953 (GP) $6
PHOENIX FORGOTTEN (VUDU OR ITUNES)
PHOTOGRAPH-THE (MA) $8
PIRATE FAIRY (SPLIT) (MA $7 OR GP $6)
PIRATES O.T.C DMTNT GP $2
PITCH PERFECT 2 (MA/VUDU)
PLANES (GP) $5
PLAYING WITH FIRE (VUDU $5 OR ITUNES $4)
POCAHONTAS 2 (SPLIT) (MA$7 OR GP $6)
POPEYE (1980) VUDU OR ITUNES $7
POST-THE (MA)
PREDATOR-THE (2018) (MA)
PROMETHEUS (MA/VD (HD) OR ITUNES 4K) $8
PURGE ELECTION YEAR-THE (SPLIT) (VUDU OR ITUNES 4K)
QUARRY-THE (VUDU OR ITUNES) $7
QUIET PLACE-A (SPLIT) VUDU OR ITUNES 4K)
RACE (2016) (VUDU OR ITUNES)
RALPH BREAKS THE INTERNET (SPLIT) (MA 4K $6 OR GP $3)
RAMBO LAST BLOOD 4K (VUDU OR ITUNES) $8
RAMPAGE (MA) HD
READY PLAYER ONE (MA)
RICHARD JEWELL SD (MA) $5
RIDE LIKE A GIRL (VUDU OR ITUNES) $8
RINGS (SPLIT) (ITUNES)
RIOT (2016) (VUDU OR ITUNES)
ROBIN HOOD 2018 (VUDU OR ITUNES) $6
ROBOCOP (2014) (VUDU OR ITUNES)
ROCKETMAN (VUDU OR ITUNES 4K)
ROUGE (VUDU OR ITUNES 4K) $7
ROUGE WARFARE (VUDU $6 OR ITUNES $4)
RUN THE RACE (MA) $5
RUSH 2013 (VUDU) $5
RUSSELL MADNESS (MA)
RHYTHM SECTION-THE (VUDU OR ITUNES 4K) $7
SAME KIND OF DIFFERENT AS ME (SPLIT) (ITUNES)
SCARY STORIES TO TELL IN THE DARK 4K (VUDU OR ITUNES) $8
SCOOB! (MA 4K $10)
SECOND ACT (ITUNES)
SECRET: DARE TO DREAM-THE (VUDU OR ITUNES) $8
SECRET GARDEN-THE (ITUNES 4K) $7
SECRET LIFE OF WALTER MITTY-THE (MA)
SERENITY 2019 (MA) $5
SHAFT (2019) (VUDU) $5
SHALLOWS-THE (MA) $5
SHERLOCK HOLMES (2011) MA/VD
SICARIO 4K (VUDU OR ITUNES) $6
SILENCING-THE (VD OR ITUNE5 4K) $7
SILVER LININGS PLAYBOOK (ITUNES)
SING (VUDU) OR (ITUNES 4K*PORTS IN 4K)
SKYSCRAPER (MA)
SLEEPLESS (SPLIT) (VD OR ITUNES)
SNATCHED (SPLIT) VUDU OR ITUNES 4K)
SNOWMAN-THE (2017) (MA) $7
SNOW WHITE & THE 7 DWARFS (1937) (SPLIT) (MA OR ITUNES $7) OR GP $6
SOLO:A STAR WARS STORY (GP) $6
SONIC THE HEDGEHOG (VUDU 4K $9 OR VUDU OR ITUNES 4K $7
SON OF GOD (MA)
SPARE PART 2015 (VUDU)
SPARTACUS (1960) (MA 4K) $6
SPELL (VUDU OR ITUNES 4K) $8
SPIES IN DISGUISE (SPLIT) (GP $6)
SPLIT (2017) (SPLIT) (ITUNES 4K)
STAR TREK BEYOND (SPLIT) VUDU OR ITUNES 4K)
STAR TREK INTO DARKNESS (VUDU)
STAR WARS #7 THE FORCE AWAKENS (SPLIT) (MA-HD/ITUNES 4K $8 OR GP $6)
STAR WARS #8 THE LAST JEDI (SPLIT) (GP $6)
STAR WARS #9 RISE OF SKYWALKER (SPLIT) (MA 4K $7)
STAR WARS ROUGE ONE (SPLIT) (GP $6)
STRANGERS PREY AT NIGHT (MA)
SUICIDE SQUAD (MA) $5
SUPERMAN MAN OF TOMMOROW (MA) $7
SUPERMAN RED SON (MA) $7
SWING OF THINGS (VUDU OR ITUNES) $7
TAMMY (MA)
TANGLED (GP) $6
TED 2 UNRATED (SPLIT) (VD OR ITUNES)
TENET (MA) $8
TERMINATOR DARK FATE (VUDU 4K $7 OR VUDU $5 OR ITUNES 4K $4)
THAT AKWARD MOMENT (MA) $7
THE 33 (MA)
THOR #1 (SPLIT) MA/ITUNES 4K $8 OR GP $5)
THOR RAGNAROK (SPLIT) MA HD OR ITUNES 4K $7 OR GP $4
THREE BILLBOARDS OUTSIDE OF E.M (MA)
TITANIC (SPLIT) (VUDU OR ITUNES) $5
TOTAL RECALL 4K (1990) (VUDU OR ITUNES) $7
TOY STORY 4 (SPLIT) MA/ITUNES 4K $8 OR MA HD $6 OR GP HD $5
TRANSCENDENCE (VD)
TRANSFORMERS (#5) THE LAST KNIGHT (SPLIT) (VD 4K $6 OR VD HD $4 OR ITUNES 4K $4)
TROLLS (MA)
TROLLS 1 & 2 (MA) $12
TROLLS WORLD TOUR (MA) $8
TRUE DETECTIVE S3 (SPLIT) (VUDU $5 OR ITUNES $4)
TURNING-THE (MA) $8
TYLER'S PERRY'S A MEADA CHRISTMAS (VUDU)
TYLER PERRY'S MADEA'S WITNESS PROTECTION (VUDU)
TYLER PERRY'S TEMPTATION: CONFESSION OF A MARRIAGE COUNSELOR (VUDU)
UNBROKEN (2014) (SPLIT) (VUDU OR ITUNES)
UNCUT GEMS (VUDU OR ITUNES) $5
UNCUT GEMS (VUDU) $8
UNFRIENDED:DARK WEB (MA) $8
UNHINGED (VD) $7
UPSIDE-THE (ITUNES)
US (MA)
VANISHED-THE (VUDU OR ITUNES) $6
VICE (MA)
WANDER DARKLEY (VUDU OR ITUNES) $10
WAR FOR THE PLANET OF THE APES(SPLIT) VUDU OR ITUNES 4K)
WAR WITH GRANDPA-THE (MA) $10
WATCHMEN S1 (VUDU) $10
WAY BACK-THE (MA) $7
WHAT MEN WANT (SPLIT) VUDU $4 OR ITUNES $3)
WHY HIM (SPLIT) VUDU OR ITUNES 4K)
WIDOWS (MA) ($4)
WITCH-THE (VUDU OR ITUNES)
WOLF OF SNOW HOLLOW (VD) HD $9 OR SD $7
WONDER PARK (SPLIT) (VUDU OR ITUNES)
WONDER WOMAN (MA)
WORLD WAR Z (SPLIT) (VUDU OR ITUNES)
X-MEN APOCALYPSE (VUDU HD OR ITUNES 4K) $6
XXX R. O Xander CAGE (VUDU OR ITUNES 4K)
YOUNG MESSIAH-THE (MA)
PAYMENTS ACCEPTED
+PAYPAL FRIENDS & FAMILY +CASH APP +VENMO +GOOGLE PAY +APPLE PAY
SECONDARY LIST BELOW
https://docs.google.com/document/d/1cZ9CqHTNJ14wo7H80BkSi4nTZHOf-4eBxnCtJjYAk48/edit?usp=drivesdk
submitted by mekababy to DigitalCodeSELL [link] [comments]

(SELLING) BATMAN SOUL OF THE DRAGON + HONEST THIEF + JU JITSU + TENET 4K + ECHO BOOMERS + WOLF OF SNOW HOLLOW + IRON MASK + NEW MUTANTS + UNHINGED + ANTEBELLUM 4K + MULAN + BILL & TED + MANY MORE. ALSO CHECK OUT MY SECONDARY LIST. LINK AT BOTTOM OF MY PRIMARY LIST. THANKS FOR LOOKING ;-)

All codes are HD unless listed otherwise.
All codes are $4 Each unless price listed.
10 MINUTES GONE (VUDU OR ITUNES 4K)
101 DALMATIANS (GP) $6
12 STRONG (MA)
13 HOURS: THE SECRET SOLDIERS OF BENGHAZI (ITUNES 4K)
1917 (MA) $6
21 BRIDGES (ITUNES 4K) $6
3 FROM HELL (VUDU OR ITUNES)
300 RISE OF AN EMPIRE (MA)
3022 (SPLIT) (VUDU $6 OR ITUNES $4)
42: THE JACKIE ROBINSON STORY (MA)
ACTION POINT (SPLIT) ITUNES $3
AD ASTRA (MA) $5
ADAM'S FAMILY (ITUNES 4K) $8
ADRIFT (ITUNES)
ADVENTURES OF TIN TIN-THE (SPLIT) (VUDU OR ITUNES)
ALADDIN 2019 (MA 4K $8 OR GP $6)
ALIEN COVENANT (VUDU OR ITUNES 4K PORTS)
ALITA BATTLE ANGEL (MA) $6
ALMOST CHRISTMAS (SPLIT) VUDU OR ITUNES)
AMERICAN MADE (MA) $5
AMERICAN REUNION (UNDATED) (2012) (SPLIT) VUDU OR ITUNES
ANGEL HAS FALLEN 4K (VUDU OR ITUNES) $8
ANNIE (2014) (MA) (SD)
ANNIHILATION (SPLIT) VUDU OR ITUNES 4K)
ANTEBELLUM 4K (VUDU OR ITUNES) $10
APPARITION-THE (MA) 2012
AQUAMAN (MA) $5
AGRO (MA/VUDU)
ARRIVAL (SPLIT) VUDU OR ITUNES 4K
ART OF RACING IN THE RAIN-THE (MA) $7
ATOMIC BLONDE (SPLIT) VUDU 4K $6 OR VUDU HD $4 OR ITUNES 4K $4)
AVENGERS ENDGAME (SPLIT) MA(HD)/ITUNES 4K $7 OR (GP $5)
AVENGERS I.W (SPLIT) (MA $6 OR GP $5)
ARKANSAS (VUDU OR ITUNES) $5
BACK TO THE FUTURE 3-MOVIE (MA/HD) 10.25
BACK TO THE FUTURE 3-MOVIE (MA/4K) $15
BACKDRAFT 2 (MA)
BAD MOMS CHRISTMAS-A (ITUNES)
BAD TIMES AT THE EL ROYAL (MA) $5
BALLERS S2 (SPLIT) (ITUNES)
BALLERS S3 (SPLIT) (VUDU OR ITUNES)
BARBER SHOP THE NEXT CUT (VUDU)
BATMAN BEYOND: THE COMPLETE SERIES $25
BATMAN HUSH (MA) $5
BATMAN V. SUPERMAN: DAWN OF JUSTICE (MA)
BAYWATCH (SPLIT) (VUDU 4K $5 OR VD HD $4 OR ITUNES 4K $4)
BEAUTY & THE BEAST (LIVE) (SPLIT) MA $4 OR GP $2
BEGUILED (MA)
BEST OF ENEMIES-THE (ITUNES)
BIG WEDDING-THE (VUDU)
BILL & TED FACE THE MUSIC (VD $$6.50)
BIRDS OF PREY (MA) 4K $9 OR HD $7
BLACK CHRISTMAS (MA) $7
BLACK PANTHER (SPLIT) (MA(HD)/🍏4K $7 OR GP $6)
BLINDED BY THE LIGHT (SD) (MA) $2
BLOODSHOT (MA) $8
BODY CAM (VUDU OR ITUNES 4K) $7
BOOK CLUB (ITUNES 4K) $2
BOSS BABY-THE (MA)
BOY 2-THE (ITUNES 4K) $6.50
BOYHOOD (VUDU OR ITUNES)
BRAVE (SPLIT) (MA $7 OR GP $6)
BREACH (VD OR ITUNES) $9
BREAKING IN (MA)
BREAKTHROUGH (MA) $6
BREACH (VUDU OR ITUNES) $10
BUDDY GAMES (VUDU OR ITUNES) $8
BUGS LIFE-A (SPLIT) (MA $7 OR GP $6)
BUMBLEBEE (SPLIT) (VUDU 4K $6 OR VUDU $4 OR ITUNES 4K) $2
BUTTONS A CHRISTMAS TALE (SPLIT) VUDU OR ITUNES
BYE BYE MAN (UNRATED) (SPLIT) (ITUNES)
CALL OF THE WILD (SPLIT) (MA) 4K $9, HD $6 OR GP $3)
CAPTAIN MARVEL (GP $5)
CAPTAIN UNDERPANTS FIRST EPIC MOVIE (MA)
CARS 3 (NP) (MA(HD)/ITUNES 4K$6 OR GP $5)
CATS & DOGS 3 :PAWS UNITE (MA) $8
CASINO 4K 1995 (MA) $8
CHRISTOPHER ROBIN (2018) SPLIT (MA $7) OR GP $5
COMING TO AMERICA 4K (ITUNES) $7
CONJURING-THE (MA)
CORRUPTED-THE (VUDU $5 OR ITUNES) $4
COUNTDOWN (ITUNES 4K) $5
CRAWL (SPLIT) (VUDU OR ITUNES 4K) $6
CREED 2 (VD) $5
CULT OF CHUCKY(UNRATED) (SPLIT) (ITUNES)
CURE FOR WELLNESS-A (SPLIT) VUDU OR ITUNES)
DADDY'S HOME 2 (SPLIT) VUDU 4K $6 OR VUDU HD $4 OR ITUNES 4K $3)
DALLAS BUYERS CLUB (VUDU OR ITUNES)
DARK KNIGHT RISES-THE (MA)
DEADWOOD THE MOVIE (VD) $5
DEATH WISH (VUDU)
DEEP WATER HORIZON (4K) (VUDU OR ITUNES) $6.50
DEN OF THIEVES (ITUNES)
DESPICABLE ME 3 (SPLIT) (VUDU OR ITUNES 4K)
DIVERGENT (2014) (VUDU)
DIVERGENT: ALLEGIANT SERIES (2016) (VUDU) $8
DIVERGENT: INSURGENT SERIES (2015) (VUDU) $8
DOCTOR SLEEP + DIRECTOR'S CUT (MA) $8
DOLPHIN TALE 2 (MA)
DOLITTLE (MA) $7
DOOM ANNIHILATION (MA) $5
DOORMAN-THE (VUDU OR ITUNES 4K) $7
DORA & THE LOST CITY OF GOLD (VUDU OR ITUNES 4K)
DOWNSIZING (SPLIT) VUDU OR ITUNES 4K)
DUNKIRK (MA)
ECHO BOOMERS (VUDU OR ITUNES) $7
ESCAPE PLAN (2013) VUDU
E.T-THE EXTRA TERRESTRIAL (ITUNES)
EXPENDABLES 2 (2012) (VUDU OR ITUNES 4K)
FAHRENHEIT 451 (SPLIT) (ITUNES)
FANTASTIC BEAST & WHERE TO FIND THEM 4K (MA) (2016) $7
FAST & THE FURIOUS #1- (SPLIT) VUDU/MA OR (ITUNES 4K)
FAST & THE FURIOUS #2- (SPLIT) (VUDU/MA ITUNES 4K)
FAST & THE FURIOUS #3- (SPLIT) (VUDU/MA OR ITUNES 4K)
FAST & THE FURIOUS #4- (SPLIT) ( VUDU/MA OR (ITUNES 4K)
FAST & THE FURIOUS #5 - EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES HD)
FAST & THE FURIOUS #6 - EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K)
FAST & THE FURIOUS #7 EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K)
FAST & THE FURIOUS #8 - FATE OF THE FURIOUS EXTENDED VERSION (SPLIT) (VUDU HD OR ITUNES 4K
FAULT IN OUR STARS-THE (VD OR ITUNES 4K)
FAVOURITE-THE (2018) (MA) $8
FIFTY SHADES DARKER UNRATED (SPLIT) (VUDU OR ITUNES 4K )
FIFTY SHADES OF GREY (SPLIT) (VUDU OR ITUNES 4K)
FINDING DORY (SPLIT) (MA(HD) OR ITUNES 4K $6) NP OR (GP $4)
FIRST MAN (MA) $6
FOCUS (2015) (MA)
FORCE OF NATURE (VUDU OR ITUNES 4K) $6
FOUR KIDS & IT (VD) $6
FOX & THE HOUND 2 (SPLIT) (GP$6)
FROZEN (SPLIT) (MA 4K $7 OR GP $5)
GAME OF THRONES S8 (SPLIT) (VUDU OR ITUNES) $8
GAURDIANS OF THE GALAXY VOL. 2 (SPLIT)
GEMINI MAN (VUDU 4K $8 OR HD $6 OR ITUNES 4K $4)
GENTLEMAN1-THE (ITUNES 4K) $8
GET HARD (MA)
GET OUT (SPLIT) (ITUNES 4K)
GHOSTBUSTERS 2 1989 (MA) $5
GHOST IN THE SHELL 2017 (SPLIT) VUDU OR ITUNES 4K)
GIFTED (2017) (MA/VD OR ITUNES) $5
GIRL ON THE TRAIN (SPLIT) VUDU OR ITUNES 4K)
GIRLS TRIP (SPLIT) (VUDU) OR (ITUNES)
GLASS (MA) $5
GOLD (SPLIT) (ITUNES)
GOLDFINCH-THE (MA) (SD) $2
GOOD DINOSAUR-THE (GP $5)
GOOD LIAR-THE SD MA
GOONIES-THE 4K (MA) $7
GREAT WALL-THE (SPLIT) VUDU OR ITUNES 4K)
GRETEL & HANSEL (VUDU) HD $8
GRINCH (2018) (MA) $6
GRINGO (AMAZON PRIME) $2
GROWN UPS 2 (MA)
GUNMAN-THE (SPLIT) (VUDU OR ITUNES)
HACKSAW RIDGE 4K (VUDU OR ITUNES) $7
HALLOWEEN (2018) (MA)
HANGOVER 2 (MA)
HAPPYTIME MURDERS (ITUNES)
HARRIET (MA) $9
HARRY POTTER & THE DEATHLY HALLOWS PT 2 (#7) (MA)
HEAT-THE (2013) (SPLIT) (VUDU OR ITUNES)
HEAVEN IS FOR REAL (MA HD $4 OR SD $2)
HIDDEN FIGURES (VUDU OR ITUNES 4K)
HIGH NOTE (MA) $8
HOBBIT-THE : AN UNEXPECTED JOURNEY (MA) $5
HOCUS POCUS (GP) $3
HOLMES & WATSON (MA) $5
HOME ALONE 2 (MA)
HONEST THIEF (MA) $9
HOSTILES (4K) (VUDU OR ITUNES) $5
HOT TUB TIME MACHINE (MA)
HOUSE-THE (MA)
HOW TO TRAIN YOUR DRAGON 1 (VUDU OR ITUNES )
HOW TO TRAIN YOUR DRAGON 1-3 (MA) $14
HOW TO TRAIN YOUR DRAGON 2 (MA)
HOW TO TRAIN YOUR DRAGON 3 (MA) $6
HUNGER GAMES (2012) (SPLIT) (VUDU OR ITUNES)
HUNGER GAMES: CATCHING FIRE (2013) (SPLIT) (VUDU OR ITUNES 4K)
HUNGER GAMES: MOCKING JAY PART 1 (2014) (SPLIT) (VUDU OR ITUNES 4K)
HUNGER GAMES: MOCKING JAY PART 2 (2015) (SPLIT) (VUDU OR ITUNES 4K)
HUNT-THE (MA) $8
HUNTSMAN-THE WINTERS WAR EXT (SPLIT) (VUDU HD OR ITUNES 4K)
HUSTLE-THE (ITUNES)
HUSTLERS (ITUNES)
IDENTITY THIEF (VD OR ITUNES)
I FEEL PRETTY (ITUNES)
I SEE YOU (SPLIT) (VUDU $6 OR ITUNES $4)
I STILL BELIEVE (VUDU OR ITUNES 4K) $6
I STILL SEE YOU (VUDU)
IF BEALE STREET COULD TALK (MA)
INCREDIBLES 2 (SPLIT) GP $6)
INCREDIBLES-THE (SPLIT) GP $6
INDEPENDENCE DAY: RESURGENCE (MA OR 4K VIA FOX) $5
INSIDE OUT (GP $5)
INSIDIOUS: THE LAST KEY (SD)(MA)
INSTANT FAMILY (SPLIT) (VUDU OR ITUNES 4K)
INVISIBLE MAN (MA) 4K $9 OR HD $7
IRONMAN (SPLIT) (MA/ITUNES 4K $8 OR GP $6)
IRONMAN 2 (MA/ITUNES 4K $8 OR MA HD/ITUNES 4K $7 OR GP $6)
IRON MAN 3 (MA4K/ITUNES 4K $8 OR GP $6)
IRON MASK (VUDU OR ITUNES) $7
IRRESISTIBLE (MA) $10
JACK REACHER N.G.B (SPLIT) VUDU OR ITUNES 4K)
JAMES BOND: THE DANIEL CRAIG COLLECTION (4 FILM BUNDLE) (VD HD $15)
JASON BOURNE : BOURNE IDENTITY (MA) 4K (2002) $8
JASON BOURNE : BOURNE SUPREMACY (MA) 4K (2004) $8
JASON BOURNE : BOURNE ULTIMATUM (MA) 4K (2007) $8
JASON BOURNE : BOURNE LEGACY (MA) 4K (2012) $8
JASON BOURNE (SPLIT) VUDU 4K $8 OR VD HD $4 OR ITUNES 4K $2 (2016)
JEXI (VUDU OR ITUNES 4K) $6
JIU JITSU (VUDU OR ITUNES) ($7)
JOHN HENRY (2020) (VUDU $4 OR ITUNES $2)
JOHN WICK 1 & 2 (VUDU) $10
JOHN WICK 3 4K (VUDU/ITUNES/GP) $10
JOKER (MA 4K $7 OR HDX $5)
JOY (VUDU OR ITUNES 4K) $5
JUMANJI: WELCOME TO THE JUNGLE (MA) (SD)
JUNGLE BOOK-THE (2016) (GP $6)
JURASSIC PARK (1993) (MA/VD)
JURASSIC PARK: THE LOST WORLD (1997) (MA)
JURASSIC WORLD (2015) (SPLIT) (VD OR ITUNES 4K)
JUSTICE LEAGUE (MA) $5
JUST MERCY (MA) $8
KIDNAP (SPLIT) VUDU OR ITUNES)
KILLERMAN (VUDU $5 OR ITUNES $4)
KING ARTHUR: LEGEND OF THE SWORD (MA)
KING KONG 4K (2005) (MA) $8
KING OF STATEN ISLAND (MA) $8
KINGSMAN-GOLDEN CIRCLE (MA OR ITUNES 4K)
KITCHEN-THE (2019) (MA HD $4 OR SD $2)
KNICK-THE (S1) (SPLIT) (VUDU $8 OR ITUNES $7)
KNIVES OUT 4K (VUDU OR ITUNES) $8
KNOCK KNOCK (VUDU OR ITUNES)
KRAMPUS (VD)
LAST STAND-THE (SPLIT) (VUDU OR ITUNES)
LAST WITCH HUNTER-THE (VD)
LEGEND OF TARZAN-THE (MA)
LEGION-THE (VUDU OR ITUNES) $6
LEGO DC SHAZAM!: MAGIC & MONSTERS (MA) $6
LEGO MOVIE 4K (2014) (MA) $6 OR VD HD $4
LEGO NINJAGO MOVIE-THE (MA) $5
LIFE (2017) (MA)
LIGHT OF MY LIFE (SPLIT) (VUDU $6 OR ITUNES $4)
LIKE A BOSS (VUDU OR ITUNES 4K) $8
LIVE BY NIGHT (MA)
LOGAN (VUDU OR ITUNES 4K)
LOGAN LUCKY (SPLIT) VUDU OR ITUNES 4K)
LONE SURVIVOR (SPLIT) (VUDU OR ITUNES 4K)
LORAX-THE (SPLIT) (VD OR ITUNES)
LUCKY DAY (VUDU OR ITUNES 4K) $6
MAGIC MIKE (MA)
MAMMA MIA-HERE WE GO AGAIN (MA)
MAN OF STEEL (MA)
MEGAN LEAVEY (SPLIT) VUDU OR ITUNES)
MADAGASCAR 3 (🍏)
M:I (SPLIT) (VUDU HD $4 OR ITUNES 4K $4)
M:I #2 (SPLIT) (ITUNES 4K $4)
M:I #3 (SPLIT) (ITUNES 4K $4)
M:I #4 (SPLIT) (VUDU HD $4)
M:I #5 (SPLIT) (VUDU HD $4 OR ITUNES 4K $4)
M:I-6 FALLOUT (SPLIT) (VUDU 4K $5 OR VUDU HD $4 OR ITUNES 4K $4)
MILE 22 (ITUNES 4K) $2.50
MISS PEREGRINE'S H.F.P.C (VUDU OR ITUNES 4K)
MOANA (MA $4 OR GP $3)
MOB TOWN (VUDU OR ITUNES) $4
MOLLY'S GAME (ITUNES)
MONSTERS UNIVERSITY (GP $5)
MONSTERS, INC.(SPLIT) (MA HD OR ITUNES 4K $7)
MORTAL ENGINES (MA) $5
MOTHER (SPLIT) VUDU 4K $5 OR VUDU HD $2 OR ITUNES 4K $2)
MOTHERLESS BROOKLYN (SD) MA $4
MOUNTAIN BETWEEN US (MA OR ITUNES 4K VIA FOX WEBSITE)
MUD (VUDU)
MULAN 1998 (MA 4K $7 OR GP $6)
MULAN (2020) (SPLIT) (MA $7 OR GP $5)
MUMMY-THE 1999 (SPLIT) (VUDU OR ITUNES 4K)
MUMMY RETURNS-THE 2001 (SPLIT) (VUDU OR ITUNES 4K)
MUMMY-THE: TOMB OF THE DRAGON EMPEROR (2008) (SPLIT) (VUDU OR ITUNES 4K)
MUMMY-THE 2017 (SPLIT) (VUDU OR ITUNES 4K)
MURDER ON ORIENT EXPRESS (MA)
NEW MUTANTS (SPLIT) (MA 4K $8 OR HD $6 OR GP $5)
NEW YEARS EVE (2011) MA
NIGHT BEFORE-THE (MA)
NIGHT HUNTER (VUDU $5 OR ITUNES $4)
NIGHT SCHOOL EXTENDED CUT (MA)
NOBODY'S FOOL (SPLIT) (VUDU $4 OR ITUNES $3)
NOCTURNAL ANIMALS (SPLIT) (VUDU OR ITUNES)
NON-STOP (SPLIT) (VUDU OR ITUNES)
NOW YOU SEE ME 1&2 (VUDU) $8
NUT JOB 2 NUTTY BY NATURE (SPLIT) VUDU OR ITUNES)
OCEANS 8 (4K) (MA) $7
OFFICE X-MAS PARTY (SPLIT) VUDU OR ITUNES 4K)
OFFICIAL SECRETS (SPLIT) (VUDU OR ITUNES)
OTHER WOMAN-THE (MA)
ONLY THE BRAVE (MA) HD$4 OR SD$2
ONWARD (SPLIT) MA 4K $8 OR GP $5
OVERLORD (SPLIT) VUDU 4K $6 OR VUDU HDX/ITUNES 4K $4
OZ THE GREAT & POWERFUL (GP) $5
PACIFIC RIM (MA/VD) $5
PAIN & GAIN (SPLIT) (VUDU OR ITUNES)
PARENTAL GUIDANCE (MA) $5
PATERNO (VUDU OR ITUNES)
PATRIOTS DAY 2017 (SPLIT) (VUDU OR ITUNES 4K)
PEANUT BUTTER FALCON-THE (VUDU OR ITUNES) $8
PEPPERMINT (ITUNES) $2
PERKS OF BEING A WALLFLOWER-THE (VUDU)
PET CEMETERY 2019 (SPLIT) (VUDU 4K $7 VUDU $5 OR $4 ITUNES 4K)
PETERPAN 1953 (GP) $6
PHOENIX FORGOTTEN (VUDU OR ITUNES)
PHOTOGRAPH-THE (MA) $8
PIRATE FAIRY (SPLIT) (MA $7 OR GP $6)
PIRATES O.T.C DMTNT GP $2
PITCH PERFECT 2 (MA/VUDU)
PLANES (GP) $5
PLAYING WITH FIRE (VUDU $5 OR ITUNES $4)
POCAHONTAS 2 (SPLIT) (MA$7 OR GP $6)
POST-THE (MA)
PREDATOR-THE (2018) (MA)
PURGE ELECTION YEAR-THE (SPLIT) (VUDU OR ITUNES 4K)
QUARRY-THE (VUDU OR ITUNES) $7
QUIET PLACE-A (SPLIT) VUDU OR ITUNES 4K)
RACE (2016) (VUDU OR ITUNES)
RALPH BREAKS THE INTERNET (SPLIT) (GP$4)
RAMBO LAST BLOOD 4K (VUDU OR ITUNES) $8
RAMPAGE (MA) HD
READY PLAYER ONE (MA)
RICHARD JEWELL SD (MA) $5
RIDE LIKE A GIRL (VUDU OR ITUNES) $8
RINGS (SPLIT) (ITUNES)
RIOT (2016) (VUDU OR ITUNES)
ROBIN HOOD 2018 (VUDU OR ITUNES) $6
ROBOCOP (2014) (VUDU OR ITUNES)
ROCKETMAN (VUDU OR ITUNES 4K)
ROUGE (VUDU OR ITUNES 4K) $7
ROUGE WARFARE (VUDU $6 OR ITUNES $4)
RUN THE RACE (MA) $5
RUSH 2013 (VUDU) $5
RUSSELL MADNESS (MA)
RHYTHM SECTION-THE (VUDU OR ITUNES 4K) $7
SAME KIND OF DIFFERENT AS ME (SPLIT) (ITUNES)
SCARY STORIES TO TELL IN THE DARK 4K (VUDU OR ITUNES) $8
SCOOB! (MA 4K $10)
SECOND ACT (ITUNES)
SECRET: DARE TO DREAM-THE (VUDU OR ITUNES) $8
SECRET GARDEN-THE (ITUNES 4K) $7
SECRET LIFE OF WALTER MITTY-THE (MA)
SERENITY 2019 (MA) $5
SHAFT (2019) (VUDU) $5
SHALLOWS-THE (MA) $5
SHERLOCK HOLMES (2009) MA/VD
SHERLOCK HOLMES (2011) MA/VD
SICARIO 4K (VUDU OR ITUNES) $6
SILENCING-THE (VD OR ITUNE5 4K) $7
SILVER LININGS PLAYBOOK (ITUNES)
SING (VUDU) OR (ITUNES 4K*PORTS IN 4K)
SKYSCRAPER (MA)
SLEEPING BEAUTY 1959 (SPLIT) (GP $6)
SLEEPLESS (SPLIT) (VD OR ITUNES)
SNATCHED (SPLIT) VUDU OR ITUNES 4K)
SNOWMAN-THE (2017) (MA) $7
SNOW WHITE & THE 7 DWARFS (1937) (SPLIT) (MA OR ITUNES $7) OR GP $6
SOLO:A STAR WARS STORY (GP) $6
SONIC THE HEDGEHOG (VUDU 4K $9 OR VUDU OR ITUNES 4K $7
SON OF GOD (MA)
SPACE JAM (1996) (MA) $7
SPARE PART 2015 (VUDU)
SPIDERMAN 3 (2007) (MA)
SPIES IN DISGUISE (SPLIT) (GP $6)
SPLIT (2017) (SPLIT) (ITUNES 4K)
STAR TREK BEYOND (SPLIT) VUDU OR ITUNES 4K)
STAR TREK INTO DARKNESS (VUDU)
STAR WARS #7 THE FORCE AWAKENS (SPLIT) (GP $6)
STAR WARS #8 THE LAST JEDI (SPLIT) (GP $6)
STAR WARS #9 RISE OF SKYWALKER (SPLIT) (MA 4K $7 GP $6)
STAR WARS ROUGE ONE (SPLIT) (GP $6)
STRANGERS PREY AT NIGHT (MA)
SUICIDE SQUAD (MA) $5
SUPERMAN MAN OF TOMMOROW (MA) $7
SUPERMAN RED SON (MA) $7
SWING OF THINGS (VUDU OR ITUNES) $7
TAMMY (MA)
TANGLED (GP) $6
TED 2 UNRATED (SPLIT) (VD OR ITUNES)
TENET (MA 4K $10 OR HD $8)
TERMINATOR DARK FATE (VUDU 4K $7 OR VUDU $5 OR ITUNES 4K $4)
THAT AKWARD MOMENT (MA) $7
THE 33 (MA)
THE INTERVIEW (2014) (MA)
THOR #1 (SPLIT) MA/ITUNES 4K $8 OR GP $5)
THOR RAGNAROK (SPLIT) MA HD OR ITUNES 4K $7 OR GP $4
THREE BILLBOARDS OUTSIDE OF E.M (MA)
TOTAL RECALL 4K (1990) (VUDU OR ITUNES) $7
TOY STORY 4 (SPLIT) MA/ITUNES 4K $8 OR MA HD $6 OR GP HD $5
TRANSCENDENCE (VD)
TRANSFORMERS (#5) THE LAST KNIGHT (SPLIT) (VD 4K $6 OR VD HD $4 OR ITUNES 4K $4)
TROLLS (MA)
TROLLS 1 & 2 (MA) $12
TROLLS WORLD TOUR (MA) $8
TRUE DETECTIVE S3 (SPLIT) (VUDU $5 OR ITUNES $4)
TURNING-THE (MA) $8
TYLER'S PERRY'S A MEADA CHRISTMAS (VUDU)
TYLER PERRY'S MADEA'S WITNESS PROTECTION (VUDU)
TYLER PERRY'S TEMPTATION: CONFESSION OF A MARRIAGE COUNSELOR (VUDU)
UNBROKEN (2014) (SPLIT) (VUDU OR ITUNES)
UNBROKEN: PATH TO REDEEMTION (MA) $5
UNCUT GEMS (VUDU OR ITUNES) $5
UNCUT GEMS (VUDU) $8
UNDERWATER (MA) $8
UNFRIENDED:DARK WEB (MA) $8
UNHINGED (VD) $7
UPSIDE-THE (ITUNES)
US (MA)
VANISHED-THE (VUDU OR ITUNES) $6
VICE (MA)
WALL-E: (GP $6)
WAR DOGS (2016) (MA)
WAR FOR THE PLANET OF THE APES(SPLIT) VUDU OR ITUNES 4K)
WATCHMEN S1 (VUDU) $10
WAY BACK-THE (MA) $7
WHAT MEN WANT (SPLIT) VUDU $4 OR ITUNES $3)
WHY HIM (SPLIT) VUDU OR ITUNES 4K)
WIDOWS (MA) ($4)
WOLF OF SNOW HOLLOW (VD) HD $9 OR SD $7
WONDER PARK (SPLIT) (VUDU OR ITUNES)
WONDER WOMAN (MA)
WORLD WAR Z (SPLIT) (VUDU OR ITUNES)
XXX R. O Xander CAGE (VUDU OR ITUNES 4K)
YOUNG MESSIAH-THE (MA)
PAYMENTS ACCEPTED
+PAYPAL FRIENDS & FAMILY +CASH APP +VENMO +GOOGLE PAY +APPLE PAY
SECONDARY LIST BELOW
https://docs.google.com/document/d/1cZ9CqHTNJ14wo7H80BkSi4nTZHOf-4eBxnCtJjYAk48/edit?usp=drivesdk
submitted by mekababy to DigitalCodeSELL [link] [comments]

The End: The problems with MassForTheDead

Overview

Well, I'm sure everyone has seen the news. The end of MassForTheDead is upon us. I started in early November. After doing all the story quests and some other things I ended up with only 3 5-star people, and sort of quit because the odds were horrible. I can't remember the exact number of rolls, but I saved every single Choas Stone.  
I quit around Thanksgiving, it isn't that the game isn't fun, but the odds were horrible and the prices made no sense. I will get into the problems with this game later, but eventually, I started back up before Xmas. I had better luck this time, while I didn't get any xmas people, but I had decent luck getting other 5-stars.  
It's a fun game, but it has many problems. As a developer, I somewhat expected it to fail, but I really was hoping that it wouldn't. I actually mentioned many of the reasons behind it in my review on google play. I shared my review with a few others, but I didn't actually make a post about it. However now I guess it's the last chance I get. I hope that the creators of MFTD see this... because many of these problems I feel almost anyone could come to the same conclusion as me.  
NOTE: My language gets a little spicy, do forgive me for not being PC.

Online Only

One of the biggest problems with the game is it being online only. This means that if the game servers are shut down... simply the game doesn't work. Meaning if the game ends in 3 months (like now) everything you have to spend was pretty much wasted. It isn't like steam where you can buy and sell skins or items... you buy a digital product with the potential chance of it being taken away from you at any time.  
No one likes this... I would like to blame the devs, but typically it isn't them who make this decision. It's almost always someone higher up, but either way to be honest it was retarded.  
It should have been an offline game, are at least playable offline people wouldn't have felt so bad by buying stuff, since they could still use it after the servers are shut down.  

Multiple Versions

Having multiple versions of the game is stupid. Simply stupid. It is already hard enough for developers to support Android, Apple, and say the web... but now they need to support Android (jp), Apple (jp), Android (globe), Apple (global).  
You rarely see this in western games... However, it is pretty common for Asian games. Rpgs especially almost always get a special global version. My only guess is because of location and language... however you should have designed your app to work with multiple languages. This is web dev 101, you space things out or have scroll bars or cut it off with a popup to give the full name or details. There are tons of ways around this... It's the same story with locations, you should have designed the online game from the ground up to be usable with multiple servers.  
I don't want to go on forever about this, but it's basic things. Just add multiple languages, that was it. All you needed to do, yet tons of games every year get a "global" version just for it to die a few years later. STOP IT. Make 1 version, with servers globally. Not enough people in Germany?... shut that server down and move them to another server.  
Sorry for the rant on this part, I've played at least 20 games they forced you to play the global version and ended up shutting it down after a year or 2. Honestly, at as dev it drives me crazy they do this. People don't care you have a special ____ holiday or whatever... AWESOME, cool you have a holiday about some cucumber god, ok let us play it, we don't need a second version.  
I guess what I'm trying to get at... Crunchyroll shouldn't have been involved in the first place. Maybe as translators, but AAAaaah fuck me dude, why do they keep doing this?

Worse than Gambling...

You buy "chaos stones", which give you a chance to roll for people in the game. Aka gambling, but instead of getting a chance for money, you get a digital item that could disappear at any moment when they shut the game down. At least with gambling, you have a slim chance of getting your money back.  
There have been many countries trying to put regulations on loot boxes in games... I'm pretty sure this game would eventually fall into that category. If they are not forced to change it, at the very least they will probably make it 18+ or the local equivalent. Some countries have been trying to force similar taxes onto these types of apps that casinos have to deal with. Potentially they are going to run into an issue with this game because of the random aspect.  
They continue to make it worse by having "free" Choas Stones mixed with "paid" Chaos Stones. Honestly, I'm surprised some mom hasn't created a Facebook group about how it's tricking their children. Anyway, I don't care about this, but it is something to note, that this will probably be brought up against them later on.  
I know some people will probably argue saying baseball cards, or pokemon cards are similar... however you are getting a physical object. You have it forever, you can sell it, trade it, lick it. It's yours forever. Yes, they are both random chances, but as I explained above... at any moment you could lose it. I could go on with other things, but I'm ranting, so we will leave this here.

Price

... do I have to explain this. The prices are INSANE, let's just forget about it being something you could lose at any moment or the random chance. There are many packs and things for $32.99. Let's look at one. 515 paid stones plus some other stuff. That is 1 roll or ten items... WHAT?!?  
Look at any other game, even the MOST money-hungry games like Clash of Clash or Fortnite are 1/4 of this price... and they are games that have been around for years, with tons of content, and tons of game play, and large player bases.  
It's like paying $30 goto a movie... or $15 to goto another movie at a better theater, that also in 3d. Don't get me wrong... I LOVE OVERLORD. I love it, I read at least 2 novels a month... but the prices for MFTD are just crazy. Personally, I bought VIP, I think that it's a decent price to support the game and help them developed it... but to be honest for $20 you don't shit. I understand they need to make money, but I 100% guarantee if they cut the price in half, they would more than double their sales. Many of the people reading overlord are younger in high school or college... I can't imagine they are looking forward to throwing down $32 for a roll at 10 cards? (or whatever you call it)... however $16? it far more reasonable. How many of would have bought a "pack" for $16 yet didn't because it was $32?  
I'm an old (not really old, 31), and I didn't because it's a ripoff. I just feel like I'm getting bent over around back.

Summary / Horrible

LMAO, guys... honestly this game I love it. I love Overlord, but some of the ideas behind it were horrible. It isn't just 1 of them... but when you add them up all altogether I knew it wasn't going to last long.  
What is even worse... they announced they are closing the game down... YET you can still buy shit. YOU CAN STILL BUY DIGITAL ITEMS that will be gone in 2 months. WHAT THE FUCK?!? Am I'm crazy, or is this just me or is this a total douchebag move?  
They don't force you to see the notification, nothing pops up... just a quiet little whisper "psst, the game ends April". I will admit, they are at least shutting it down in march... Do they are not a complete scumbag... However, it should have been locked the moment they announced the ending of this game. People love this game, they are dedicated to it. They have spent thousands of hours grinding just to save up for the new stuff coming out next week. I'm sure there are people who just bought stuff yesterday...  
What is even worse, I'm pretty sure someone knew about this at least a week ago. I can't imagine some CEO just say, yea I'm done, lets tell them today the game ends. There were meetings, discussions, multiple companies involved... probably a public relations person who spend a day to come up with that announcement.  
I'm going to end it here, while I wasn't surprised I wish it continued or was offline as its a fun little game to play throughout the day.
submitted by bryku to MassForTheDead [link] [comments]

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